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Pete Bray provides a first-hand account of the first ever single-handed crossing of the North Atlantic.
Trauma and Meaning Making highlights multiple practices of meaning making after traumatic events in the lives of individuals and communities. Meaning making consists both in a personal journey towards a new way to exist and live in a world shattered by trauma and in public politics locating and defining what has happened. In both perspectives, the collection evaluates the impact achieved by naming the victim/s and thus the right of the victim/s to suffer from its aftermath or by refusing to recognise the traumatic event and thus the right of the victim/s to respond to it. A range of paradigms and techniques invite readers to consider anew the specificities of context and relationship while negotiating post-traumatic survival. By delineating how one makes sense of traumatic events, this volume will enable readers to draw links between practices grounded in diverse disciplines encompassing creative arts, textual analysis, public and collective communication, psychology and psychotherapy, memory and memorial.
Tim Burstall, the celebrated director of Stork, Alvin Purple and numerous other definitive 'ocker' comedies, is credited with shaking the moribund Australian film industry out of its torpor. But long before that, in the early 1950s, he began keeping a diary to record the world of the group of 'arties' and 'intellectuals' he was living among in Eltham, then a rural area outside Melbourne, where cheap land was available for mudbrick houses and studios, and where suburban rigidities could be mercilessly flouted. Burstall was in his mid-twenties, with two young sons and an open marriage with his wife, Betty. Eager to become a writer, to go against the grain, he kept a record almost daily-of the ...
‘In May 1824, what can only be described as a period of all-out, total gudyarra (‘war’ in the Wiradyuri language) had begun west of the Blue Mountains. Relations between Wiradyuri people and the colonists in the country around Bathurst had completely broken down, and the number of raids and killings occurring across isolated stock stations in the district had intensified.’ In Gudyarra, Stephen Gapps – award-winning author of The Sydney Wars – unearths what led to this furious and bloody war, beginning with the occupation of Wiradyuri lands by Europeans following Governor Macquarie’s push to expand the colony west over the Blue Mountains to generate wealth from sheep and cattle....
This book provides an insight into research conducted by participants attending The Patient: Examining Realities: 5th Global Conference, held in Oxford, England, 14-16 September, 2016. These attendees and subsequent volume contributors include medical professionals and healthcare providers employed by reputable academic institutions, and who take a both scientific and practical interest in the healthcare industry and its practices. The book also includes discourses by academics with a more theoretical interest in health and the complex doctor-patient relationship. Research presented herein is both steeped in cultural traditions and reflective of new trends in certain countries across the globe. Theories, practices and trends highlighted in the book are ultimately universal in that they concern all of us on a global level.
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This volume was first published by Inter-Disciplinary Press in 2016. Trauma is no longer, and perhaps has never been, an uncommon occurrence – it is now commonplace in human experience. Notoriously difficult to define, when one tries to offer a definition of trauma that works across disciplines and beyond the boundaries of subjects, one enters a new territory. This collection participates in a reconstructive movement in which the boundaries of trauma, trauma theory, and trauma recovery are flung wide. The vastly differing experiences, contexts, and critical reflections of the contributors serve to ensure this monograph offers a fresh voice in the field of Trauma Studies. This collection of essays on trauma seeks to open dialogue and expand discussion. Blurring the boundaries of traditional disciplinary lines, this monograph strives to interrupt and rupture the debate on trauma. It is in the fissures created by such rupture that new and compelling voices can be heard.
This book examines the many functions of paper in the fine art and aesthetics of the early twentieth-century modernist or historic avant-garde (Expressionism, Cubism, Futurism, Dadaism, Surrealism, Constructivism and many more). With its many collages and photomontages, the historic avant-garde is generally considered to have transformed paper from a mere support into an artistic medium and to have assisted in art on paper gaining a firm autonomy. Bringing together an international team of scholars, this book shows that the story of paper in the avant-garde has thereby hardly been told. The first section looks at a selection of canonized individual avant-gardists’ work on paper to demonstr...
This volume was first published by Inter-Disciplinary Press in 2013. This is a multidisciplinary book on crises of all kinds from different parts of the world. Interesting? Not unless crises can be made to serve as opportunities for the future. Fifteen chapters present accounts of empirical research into personal and group crises where people have not just survived their losses and grief but have in most cases gone on to meaningful future growth. Tragedy from natural calamity, war, accident; crisis in the family and at work; despair from physical and spiritual displacement; helplessness from political and economic disenfranchisement – from Australia and America to Asia and Europe. These subjects receive expert multidisciplinary scrutiny with one common goal in mind. To account for the ways in which recovery and regrowth can take place. But this is not a book about the phoenix’s fable. It is empirical, evaluative, and pragmatic. It is about turning crises into opportunities.