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Poetry. THE HEADLESS MAN awakens into a strange landscape. He must make sense of it through his actions, striving to determine whether there is a place for him in a world not made in his image or whether he must imagine something different in order to be. He cannot speak, see, or hear in the usual ways, so he must learn to do these things using other parts of his body, leading him to a fuller sense of himself. In this gothic, picaresque narrative, laced with horror and humour, Montreal surrealist Peter Dubé addresses his concern with queer challenges to identity and sexual boundaries, exploring questions about insider and outsider, what constitutes the "normal" and what is relegated to the realm of the "monstrous."
Handbook of the Economics of Marketing, Volume One: Marketing and Economics mixes empirical work in industrial organization with quantitative marketing tools, presenting tactics that help researchers tackle problems with a balance of intuition and skepticism. It offers critical perspectives on theoretical work within economics, delivering a comprehensive, critical, up-to-date, and accessible review of the field that has always been missing. This literature summary of research at the intersection of economics and marketing is written by, and for, economists, and the book's authors share a belief in analytical and integrated approaches to marketing, emphasizing data-driven, result-oriented, pragmatic strategies.
Dreams, desire, darkened streets and the sudden miracles that appear there, the deep places of the mind. Two groups made these the heart of a radical project of liberation: queers and surrealism. Madder Love is an anthology of cutting-edge writing that bridges the space between surrealism and queer writing. Features the work of Will Aitken, Stephen Beachy, Jeffery Beam, Stephen Boyer, Tom Cardamone, Sven Davisson, Peter Dubé, Craig L. Gidney, Nicholas Hayes, Trebor Healey, Kevin Killian, Shaun Levin and Rob Stephenson.
Evoking hidden worlds, summoning visions and making magic happen, Conjure: A Book Of Spells is filled with vivid images and tantalizing narrative fragments that stir the heart, mind and eye. Echoing the tone and structure of Medieval and Renaissance grimoires, Dube's unique collection joins surrealist automatism with rigorous formal discipline and offers readers a profound and complex work. Peter Dube is the author of four other books: Hovering World, At the Bottom of the Sky, Subtle Bodies: a Fantasia on Voice, History and Rene Crevel, which was a finalist for the Shirley Jackson Award, and most recently the novel The City's Gates. He is also the editor of three anthologies of contemporary writing. His essays and critical writings have been widely published in journals such as CV Photo, ESSE, Hour and Ashe, and in exhibition publications for various galleries, among them SKOL, Occurrence, Quartier Ephemere and the Leonard and Bina Ellen Gallery of Concordia University. He lives in Montreal."
Magazine. Poetry. Fiction. Literary Nonfiction. Art. Translation. "This second issue of HYDROLITH is a continuation of what the first volume started, which was and is to assemble a stimulating selection of exclusively recent work by groups and individuals of the international Surrealist movement, to facilitate intellectual exchange and collaboration, enabling us to concentrate the echoes of our commonalities as well as the shadows of our differences. In so doing, this volume aspires to reduce all manner of distances that exist between us. All works in this book are in English, while many of them are translations from the Dutch, French, Greek, Portuguese, Romanian, Spanish and Turkish languages."--from the Preface
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In these remarkable stories of an outdoorsman you will read of some nearly incredible adventures. For his writing he has received twenty awards. They include the George Washington Honor Medal of the Freedoms Foundation, the Benjamin Franklin Award of the Reserve Officers Association, and a large plaque from Senator Barry Goldwater, for distinguished journalism. He is a member of professional writers organizations, the Outdoor Writers Association of America and the California Association of Outdoor Writers. He has written ten published non-fiction books and many magazine articles on various topics.
A surprise attack on the nation’s military bases and power stations sends the Armed Forces scrambling. When impoverished, disheartened, poorly educated, but well-armed aboriginal young people find a modern revolutionary leader, they rally with a battle cry of "Take Back the Land!" Theirs is a fight to right the wrongs inflicted on them by "the white settlers." They know they are too small to take on the entire country, but they don’t need to. Over a few tension-filled days as the battles rages over abundant energy resources, the frantic prime minister can only watch as the insurrection paralyzes the country. But when energy-dependent Americans discover the southward flow of Canadian hydroelectricity, oil, and natural gas is halted, they do not remain passive. Although none of the country’s leaders see it coming, the shattering consequences unfold with the same plausible harmony by which quiet aboriginal protests decades ago became the eerie premonitions of today’s stand-offs and "days of action."
This book provides a conceptual and global overview of the field of Surrealist studies. Methodologically, the companion considers Surrealism’s many achievements, but also its historical shortcomings, to illuminate its connections to the historical and cultural moment(s) from which it originated and to assess both the ways in which it still shapes our world in inspiring ways and the ways in which it might appear problematic as we look back at it from a twenty-first-century vantage point. Contributions from experienced scholars will enable professors to teach the subject more broadly, by opening their eyes to aspects of the field that are on the margins of their expertise, and it will enable scholars to identify new areas of study in their own work, by indicating lines of research at a tangent to their own. The companion will reflect the interdisciplinarity of Surrealism by incorporating discussions pertaining to the visual arts, as well as literature, film, and political and intellectual history.
Collection Thinking is a volume of essays that thinks across and beyond critical frameworks from library, archival, and museum studies to understand the meaning of "collection" as an entity and as an act. It offers new models for understanding how collections have been imagined and defined, assembled, created, and used as cultural phenomena. Featuring over 70 illustrations and 21 original chapters that explore cases from a wide range of fields, including library and archival studies, literary studies, art history, media studies, sound studies, folklore studies, game studies, and education, Collection Thinking builds on the important scholarly works produced on the topic of the archive over t...