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US Air Force combat pilot Colonel Steve Richardson suffers a severe head injury when his F-35 crashes in the mountains of northern Afghanistan. With help too far away, death appears imminent. When an unusual craft appears and rescues him, Richardson is convinced he's hallucinating. It conveys him to a massive spaceship in orbit, where he is treated for his wounds. Once he recovers from his injuries, Richardson is introduced to a covert space force called "Solar Warden." This secret space program utilizes futuristic technology to defend earth against a paranormal alien threat intent on destroying earth's inhabitants. When Richardson joins the program, he learns that his new comrades are losing the conflict. Can he learn to operate technology half a century ahead of what he has been trained for in time to be an asset? Or will he become just another casualty in an interstellar war?
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Based on a series of four seminars given by the author for the M.A. Course in Fine Art at Goldsmith's College, London, in 1979. Rejecting fashionable 'structuralist' and 'ideological' theories, the author examines the relevance of certain post-Freudian developments in psychoanalysis to aesthetics.
"In this incisive counter-polemic Peter Fuller underlines what is most valuable in Berger's criticism, while attacking the art ideologists who would negate the existence of any aesthetic experience. He succinctly agues the case for a materialistic understanding of art and its value which moves beyond ideology and permits one to confront the 'masterpiece', the work of art which breaks free from the norms of tradition and transcends its time."--back cover.
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A critical study of the life of art criticism in the 1970s, this volume traces the evolution of art and art criticism in a pivotal period in post-war British history. JJ Charlesworth explores how art critics and the art press attempted to negotiate new developments in art, faced with the challenges of conceptualism, alternative media, new social movements and radical innovations in philosophy and theory. This is the first comprehensive study of the art press and art criticism in Britain during this pivotal period, seen through the lens of its art press, charting the arguments and ideas that would come to shape contemporary art as we know it today. This book will be of interest to scholars working in art history, British cultural history and history of journalism.
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Great Horse Racing Mysteries digs beneath the surface of some of the sport's most intriguing cases, including the death by poisoning of the great Australian champion Phar Lap; the shooting of William Woodward by his wife Ann, owners of the great horse Nashua; the disqualification of 1960 Derby winner Dancer's Image (was he drugged?); the theft and disappearance in 1983 of Shergar, Europe's best-known racehorse and stallion; and the scandalous financial collapse of Calumet Farm after the death by euthanasia of Alydar, one of the world's most successful sires.John McEvoy researched several unsolved mysteries of the racing world— murder...suicide...arson...fraud—and recounts some of horse racing's strangest, most fascinating tales. In this updated edition, veteran turf writer Lenny Shulman adds to the intrigue by exploring the mysterious death of the troubled jockey Chris Antley, winner of the Kentucky Derby and Preakness aboard Charismatic, and Big Brown's stunning collapse in the Belmont after cruising to winsin the first two legs of the Triple Crown.
Relates the Vietnam War, its aftermath and effect on their lives as seen by 65 veterans of Charlie Company, an infantry unit.