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Capturing personal data in exchange for free services is now ubiquitous in networked media and recently led to diagnoses of surveillance and platform capitalism. In social media discourse, dataveillance and data mining have been criticized as new forms of capitalist exploitation for some time. From social photos, selfies and image communities on the internet to connected viewing and streaming, and video conferencing during the Corona pandemic - the digital image is not only predominantly networked but also accessed through platforms and structured by their economic imperatives, data acquisition techniques and algorithmic processing. In this issue, the contributors show how participation and commodification are closely linked to the production, circulation, consumption and operativity of images and visual communication, raising the question of the role networked images play for and within the proliferating surveillance capitalism.
‘An authoritative analysis of the role of communication in contemporary capitalism and an important contribution to debates about the forms of domination and potentials for liberation in today’s capitalist society.’ — Professor Michael Hardt, Duke University, co-author of the tetralogy Empire, Commonwealth, Multitude, and Assembly ‘A comprehensive approach to understanding and transcending the deepening crisis of communicative capitalism. It is a major work of synthesis and essential reading for anyone wanting to know what critical analysis is and why we need it now more than ever.’ — Professor Graham Murdock, Emeritus Professor, University of Loughborough and co-editor of The ...
Professor Hasret Comak and colleagues put together a sizeable collection of studies on refugee situation in Turkey with reference to broader frameworks and discussions. Volume V and VI bring us detailed discussions of the international framework of refugee management as well as the circumstances and experiences of refugees in Turkey. 23 chapters focus on various aspects and offer insights and perspectives on refugee experiences, legal frameworks and implications with particular reference to Turkey. Temporary protection, Syrians, media representations, Turkey’s legal frameworks dealing with refugees are the themes covered in this volume. CONTENTS PREFACE CHAPTER 1. REGULATIONS INTRODUCED BY...
Thomas Hirschhorn, a leading installation artist whose work is owned and exhibited by modern art museums throughout Europe and the United States, is known for compelling, often site-specific and interactive environments tackling issues of critical theory, global politics, and consumerism. His work initially engages the viewer through sheer superabundance. Combining found images and texts, bound up in handcrafted constructions of cardboard, foil, and packing tape, the artworks reflect the intellectual scavenging and sensory overload that characterize our own attempts to grapple with the excess of information in daily life. Christina Braun, the first to compile and systematically analyze the extensive source material on this artist's theoretical principles, sheds light on the complicated yet constitutive relations between Hirschhorn's work and theory. Her study, now translated into English, makes a major contribution to the study of contemporary art.
Der THW Kiel benötigte in der Handball-Bundesliga Ende der 1980er-Jahre einen Strategiewechsel. Ihr Obmann, beruflich Beamter beim Militärischen Abschirmdienst, hatte Gespür für eine Geheimaktion und verpflichtete Magnus Wislander. Der 26-jährige Schwede war der wichtigste Transfer der Vereinsgeschichte, riss seine Nebenleute und Zuschauer mit. Das Herz von Skandinavien war für den THW Kiel als Impulsgeber auf dem Weg zum deutschen Nonplusultra maßgebend. 24 Schweden streiften sich bislang das schwarz-weiße Trikot in Kiel über. Jeder war oder ist in der Ostseehalle auf seine Art ein Idol. Die meisten Schweden verließen Kiel erst, als sie schon »alt« waren. Der Ausruf »Alter Schwede« drückt in Norddeutschland Erstaunen, Respekt und Freude über die Situationen und Personen aus. Mit den Protagonisten erhalten Momente von gestern neues Leben. Das Buch trägt zurecht diesen Titel.
Die strategische Kommunikationsforschung hat seit jeher Theorien anderer kommunikationswissenschaftlicher Forschungsfelder und wissenschaftlicher Disziplinen aufgegriffen, um mit diesen den eigenen Beobachtungsgegenstand zu beschreiben. Wenn man das als Defizit sehen möchte, beklagt man schnell den fehlenden eigenen Kern des Forschungsfeldes. Der Band „Schlüsselwerke für die strategische Kommunikationsforschung“ versteht dies ausdrücklich als Stärke und wirbt für die Potenziale dieser offenen Vorgehensweise. Wie arm wäre die strategische Kommunikationsforschung ohne Giddens, Goffman, Habermas, Luhmann, Meyer & Rowan, Weick und Co? Daher stehen in dem Band keine Schlüsselwerke der...
This volume sheds light on the underlying dynamics of mediatization, disentangling the actual unfolding of mediatization processes. The wide adoption and deep embedding of digital media and technology brings new questions to mediatization studies: how can we grasp this ‘deep mediatization’? In which way should we develop existing approaches of mediatization to analyse such dynamics? What are the consequences of this for theorising and empirically studying mediatization? By using these questions as a starting point, this book presents an innovative and original collection that is dedicated to both the underlying dynamics of mediatization and recent dynamics related to digital media.