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An examination of world's fairs in Britain and its two most important 19th-century colonies, Australia and India; arguing that the fairs provided a forum for shaping both national and imperial identities.
When the Reverend Henry Carmichael opened the Sydney Mechanics’ School of Arts in 1833, he introduced a bold directive: for Australia to advance on the scale of nations, it needed to develop a science of its own. Prominent scientists in the colonies of New South Wales and Victoria answered this call by participating in popular exhibitions far and near, from London’s Crystal Place in 1851 to Sydney, Melbourne, Adelaide, and Brisbane during the final decades of the nineteenth century. A Science of Our Own explores the influential work of local botanists, chemists, and geologists—William B. Clarke, Joseph Bosisto, Robert Brough Smyth, and Ferdinand Mueller—who contributed to shaping a d...
"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class. Auerbach suggests instead that the Great Exhibition became a cultural battlefield on which proponents of different visions of industrialization, modernization, and internationalism fought for ascendancy in the struggle for a new national identity."--BOOK JACKET.
Oceania, or the South Pacific, loomed large in the Victorian popular imagination. It was a world that interested the Victorians for many reasons, all of which suggested to them that everything was possible there. This collection of essays focuses on Oceania’s impact on Victorian culture, most notably travel writing, photography, international exhibitions, literature, and the world of children. Each of these had significant impact. The literature discussed affected mainly the middle and upper classes, while exhibitions and photography reached down into the working classes, as did missionary presentations. The experience of children was central to the Pacific’s effects, as youthful encount...
The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire. It focuses on exhibitions in England, Australia, and India from the Great Exhibition to the Festival of Empire.
This collection of essays discusses the significance of colonial and foreign participation at the Great Exhibition in 1851, including the exhibits, publications, officials, and visitors, before, during, and after the event in London's Crystal Palace. These essays consider the ways that the Exhibition connected London, England and many parts of the world, suggesting strong imperial, international and global connections and meanings. In doing so, the contributors consider the importance of the event for England and the participating colonies and nations, as well as the ways by which that participation affected their relationship to Britain and how the British saw their place in the world. Unlike other publications, this one emphasizes both nationalism and internationalism, domestic and foreign issues.
This multiauthored book explores how many influential ethical traditions - secular and religious, Western and non-Western - wrestle with the moral dimensions of poverty and the needs of the poor. These traditions include Buddhism, Christianity, Confucianism, Hinduism, Islam, and Judaism, among the religious perspectives; classical liberalism, feminism, liberal-egalitarianism, and Marxism, among the secular; and natural law, which might be claimed by both. The basic questions addressed by each of these traditions are linked to several overarching themes: what poverty is, the particular vulnerabilities of high-risk groups, responsibility for the occurrence of poverty, preferred remedies, how responsibility for its alleviation is distributed, and priorities in the delivery of assistance. These essays are preceded by a background chapter on the types, scope, and causes of poverty in the modern world and some contemporary strategies for eliminating it. The volume concludes with Michael Walzer's broadly conceived commentary, which provides a direct comparison of the presented views and makes suggestions for further study and policy.
South Seas Encounters examines several key types of encounters between the many-faceted worlds of Oceania, Britain and the United States in the formative nineteenth century. The eleven essays collected in this volume focus not only on the effect of the two powerful, industrialized colonial powers on the cultures of the Pacific, but the effect of those cultures on the Western cultural perceptions of themselves and the wider world, including understanding encounters and exchanges in ways which do not underemphasize the agency and consequences for all participating parties. The essays also provide insights into the causes, unfolding, and consequences for both sides of a series of significant ethnographic, political, cultural, scientific, educational, and social encounters. This volume makes a significant contribution to increasing scholarly interest in Oceania’s place in British and American nineteenth-century cultural experiences. South Seas Encounters investigates these significant interactions and how they changed the ways that Oceanic, British, and American cultures reflected on themselves and their place in the wider world.
Ornamentalism is a vividly evocative account of a vanished era, a major reassessment of Britain and its imperial past, and a trenchant and disturbing analysis of what it means to be a post-imperial nation today.
India in South Kensington in India: Kipling in Context / Julius Bryant -- The Careers and Character of 'J.L.K.' / Julius Bryant -- Ceramics and Sculpture, Staffordshire and London, 1851-65 / Christopher Marsden -- Kipling's Royal Commissions: Bagshot Park and Osborne / Julius Bryant -- Industrial Art Education in Colonial Punjab: Kipling's Pedagogy and Hereditary Craftsmen / Nadhra Shahbaz Khan -- John Lockwood Kipling's Influence / Abigail McGowan