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Reading notes constitute a vast resource for an understanding of literary history and culture. They indicate what writers read as well as how they read and what they used in their own work. As such, they play an important role in both the reception and the production of texts. The essays in this volume, representing the newest trends in European and international textual scholarship, examine literary creation and the relationship between reading and writing. To study how readers respond to writing and how reading engenders new writing, the contributing scholars no longer take for granted that authors write in splendid isolation, but turn to a more broadly sociological investigation of author...
This collection of the prison memoirs and letters of the first Mormon convicted of violating the Edmunds Law, which prohibited polygamy, provides a unique perspective on this period of Utah history. Rudger Clawson (1857-1943) was a prominent member of the Church of Jesus Christ of Latter-day Saints, serving as missionary, stake president, apostle, president of the Quorum of the Twelve Apostles, and counselor in the First Presidency. His memoirs of three years as a "cohab" in the Utah Territorial Penitentiary are published here for the first time. They reflect the pride Mormon polygamists felt at being "prisoners for conscience sake," and they include discussions of Mormon doctrines, accounts of daring prison escapes, details of prison life, and the sense of a husband's frustration at being separated from his plural wife.
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Thomas Keneally, the bestselling author of The Daughters of Mars and Schindler’s List, returns with an exquisite exploration of community and country, love and morality, taking place in both prehistoric and modern Australia. An award-winning documentary filmmaker, Shelby Apple is obsessed with reimagining the full story of the Learned Man—a prehistoric man whose remains are believed to be the link between Africa and ancient Australia. From Vietnam to northern Africa and the Australian Outback, Shelby searches for understanding of this enigmatic man from the ancient past, unaware that the two men share a great deal in common. Some 40,000 years in the past, the Learned Man has made his hom...
Faking It! collects eleven chapters which explore the question of forgery from different disciplinary angles: literary historical and art historical contributions share space with discussions of jewels, architecture and coinage. The various case studies take as their focus developments in Renaissance Italy and early modern England as well as in France, Germany, Malta, Denmark, Sweden, Iceland, Russia and Australia. While each chapter contributes to a better understanding of the local context of cultural production, together they suggest new answers to how we can understand forgery. The concept of performance allows us to see beyond normative approaches and gain insight into some of the ambiguities concerning the nature of forgery. Contributors to this volume: Brian J. Boeck, Federica Boldrini, Patricia Pires Boulhosa, Laurent Curelly, Helen Hughes, Jacqueline Hylkema, Philip Lavender, Lorenzo Paoli, Ingrid Rowland, Camilla Russo and Ksenija Tschetschik-Hammerl.
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