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Inside the Pleasure Dome
  • Language: en
  • Pages: 833

Inside the Pleasure Dome

Everybody loves the movies. But a movie about the colour blue, or an isolated mountain range, or a man grown so thin the world floats through his perfect transparency? Welcome to the strange and wonderful universe of fringe cinema. Twenty-three interviews with Canada's finest underdogs. Includes a foreword by Atom Egoyan.

International Who's Who in Poetry 2004
  • Language: en
  • Pages: 536

International Who's Who in Poetry 2004

Provides up-to-date profiles on the careers of leading and emerging poets.

Antisemitism, Christian Ambivalence, and the Holocaust
  • Language: en
  • Pages: 356

Antisemitism, Christian Ambivalence, and the Holocaust

Thirteen essays exploring the role of antisemitism in the political and intellectual life of Europe. In recent years, the mask of tolerant, secular, multicultural Europe has been shattered by new forms of antisemitic crime. Though many of the perpetrators do not profess Christianity, antisemitism has flourished in Christian Europe. In this book, thirteen scholars of European history, Jewish studies, and Christian theology examine antisemitism’s insidious role in Europe’s intellectual and political life. The essays reveal that annihilative antisemitic thought was not limited to Germany, but could be found in the theology and liturgical practice of most of Europe’s Christian churches. Th...

Report of the Citizens' Executive Relief Committee of the Cities of Pittsburgh and Allegheny, for the Relief of the Sufferers by the Flood, of July 26th, 1874
  • Language: en
  • Pages: 66
Official Gazette of the United States Patent and Trademark Office
  • Language: en
  • Pages: 1092

Official Gazette of the United States Patent and Trademark Office

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

Beyond the Mask
  • Language: en
  • Pages: 260

Beyond the Mask

  • Type: Book
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  • Published: 1987
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  • Publisher: SIU Press

Eynat-Confino goes beyond the usual consideration of Craig's purported theories of the actor, scenery, and the scene painter to get at the heart of Craig's idea of theater. She draws not only on the research of contemporary Craig scholars but on material hitherto unavailable--his writings and daybooks and the writings of friends. She ties Craig's encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the über-­marionette, a giant puppet. Craig also invented the "Scene," a kinetic stage, the "screens" that brought him worldwide fame were simply an adaptation of this concept. Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig's artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring "friendliness--humor--love--ease--peace" to the world.

The Indigo Memoirs
  • Language: en
  • Pages: 156

The Indigo Memoirs

This novel, titled The Indigo Memoirs, details anecdotes, events, thoughts, opinions, experiences, and memories that have occurred during my life. The book retells my travels over Australia and other parts of the world, including Greece and Japan. It includes my struggles at school as well as my personal and intimate experiences. There is something for everyone in this book. There elements of comedy, suspense, lust, and action. There are elements of spirituality and theology, and the material is graphic and heavy at times. The Indigo Memoirs tells the story of who I am and how I became who I am.

Tool
  • Language: en
  • Pages: 253

Tool

  • Type: Book
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  • Published: Unknown
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  • Publisher: PediaPress

None

Annual Report
  • Language: en
  • Pages: 730

Annual Report

  • Type: Book
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  • Published: 1899
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  • Publisher: Unknown

None

The Walled Garden
  • Language: en
  • Pages: 132

The Walled Garden

The Walled Garden is a work both imagistic and mythic, a unity of inner and outer worlds in verse and prose. At the centre of the book is Bullock's method of transfiguring inanimate things into powerful symbols of consciousness.