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The first book in English to study this period of Chinese history, this comprehensive survey sets out the major military events in chapters and argues that war was the most important tool used by the Chinese in building and maintaining their empire.
In the global world of the twenty-first century, martial arts are practised for self-defense and sporting purposes only. However, for thousands of years, they were a central feature of military practice in China and essential for the smooth functioning of society. This book, which opens with an intriguing account of the very first female martial artist, charts the history of combat and fighting techniques in China from the Bronze Age to the present. This broad panorama affords fascinating glimpses into the transformation of martial skills, techniques and weaponry against the background of Chinese history, the rise and fall of empires, their governments and their armies. Quotations from literature and poetry, and the stories of individual warriors, infuse the narrative, offering personal reflections on prowess in the battlefield and techniques of engagement. This is an engaging and readable introduction to the authentic history of Chinese martial arts.
In the global world of the twenty-first century, martial arts are practised for self-defense and sporting purposes only. However, for thousands of years, they were a central feature of military practice in China and essential for the smooth functioning of society. This book, which opens with an intriguing account of the very first female martial artist, charts the history of combat and fighting techniques in China from the Bronze Age to the present. This broad panorama affords fascinating glimpses into the transformation of martial skills, techniques and weaponry against the background of Chinese history, the rise and fall of empires, their governments and their armies. Quotations from literature and poetry, and the stories of individual warriors, infuse the narrative, offering personal reflections on prowess in the battlefield and techniques of engagement. This is an engaging and readable introduction to the authentic history of Chinese martial arts.
Chinese rulers and statesmen were naturally concerned about the issue of war, when to wage it, when it was justified, and when to avoid it. Although much has been asserted about how these issues were understood in Chinese culture, this work is the first study actually to focus on the debates themselves. These debates at court proceeded from specific understandings of what constituted evidence, and involved the practical concerns of policy as well as more general cultural values. The result is a decidedly messy portrait of Chinese decision making over two millenia that is neither distinctly Chinese nor entirely generic. Contributors are Parks Coble, Garret Olberding, David Pong, Kenneth Swope, Paul Van Els, David Wright, and Shu-Hui Wu.
Chinese military history has emerged as one of the most promising and radical fields of Chinese studies. China's rapidly increasing military power make understanding the place of war in Chinese culture, as well as the role of the military, and Chinese strategic thought, vital to dealing with this possible threat. The recent flourishing of scholarship in this area has begun to allow an equivalent comparison with western and world military history, leading to a new understanding of war as a historical and cultural phenomenon, as well as revising earlier analyses of the significance of war in Chinese history. Assembled in this volume is a selection of articles that present earlier approaches to Chinese military history as well as the most recent trends in research. The introductory essay provides an overview of the field of Chinese military history and its significance in the study of China, as well as pointing out encouraging new developments in recent scholarship.
This comprehensive survey of Chinese military history is the only book in English to span the significant years from 900-1795. Peter Lorge questions current theories on China's relationship to war, and argues that war was the most important tool used by the Chinese in building and maintaining their empire. Emphasizing the relationship between the military and politics, chapters are organised around specific military events and, Lorge argues, the strength of territorial claims and political impact of each dynasty were determined by their military capacity. Ideal as a course adoption text for Asian military studies, this is also valuable for students of Chinese studies, military studies, and Chinese history.
The phrase “martial arts studies” is increasingly circulating as a term to describe a new field of interest. But many academic fields including history, philosophy, anthropology, and Area studies already engage with martial arts in their own particular way. Therefore, is there really such a thing as a unique field of martial arts studies? Martial Arts Studies is the first book to engage directly with these questions. It assesses the multiplicity and heterogeneity of possible approaches to martial arts studies, exploring orientations and limitations of existing approaches. It makes a case for constructing the field of martial arts studies in terms of key coordinates from post-structuralism, cultural studies, media studies, and post-colonialism. By using these anti-disciplinary approaches to disrupt the approaches of other disciplines, Martial Arts Studies proposes a field that both emerges out of and differs from its many disciplinary locations.
The period of the Five Dynasties and Ten Kingdoms (907-960) has long been treated as an anomaly in the history of China, an age of great disunity between the empires of the Tang and the Song dynasties. Breaking with previous scholarship on China's middle period, this edited volume presents individual studies that focus on the art, culture, and politics of the interregnum, challenging underlying assumptions about the unitary nature of dynastic culture and its value as a category of historical analysis. It understands these decades as a time of important transition in which the incipient cultural shifts of the mature Tang dynasty turned into the foundations of Song society. Consequently it highlights the complex narrative processes that gave birth to Song culture.
A groundbreaking work examining the military and political events that shaped the Song dynasty (960-1279) in China. Peter Lorge examines the centrality of warfare and politics in the struggle for internal and external power, as well as the influence of individuals and their relationships in political processes.