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Peter Maher, a Galway born, and Dublin reared fighter, laid a strong claim on sport’s greatest prize, The Heavyweight Championship of the world, in the 1890’s. For over ten years he was a top contender and his popularity was such that he was arguably the most famous sportsman in America at the turn of the Twentieth century. This popularity stemmed from his prodigious punching power, good looks and affable, good-natured and easy-going manner. He mixed with everybody from Presidents like Teddy Roosevelt and William McKinley to Wild West icons Wyatt Earp, Bat Masterson and Judge Roy Bean and a multitude in between. Yet today he is virtually unknown except to the anoraks of the boxing world....
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**WINNER: WISHING SHELF PRIZE FOR NON-FICTION 2011** In the 1890s the fight game was changing. The prize-fighters and bare-knuckle brawlers were disappearing as the new “scientific” boxers emerged to fight under the Marquis of Queensberry rules. Irishman Tom Sharkey was the never-say-die fighter who bridged the gap between old and new. Within a short time of arriving in America he took on all the top boxers of his day: his hero John L Sullivan, Gentleman Jim Corbett, Bob Fitzsimmons and the man who would become not only his greatest foe but his best friend, Jim Jeffries. Their 25-round world title fight at Coney Island was one of the most gruelling and compelling encounters ever seen ins...
A lively account of a harsh but beautiful landscape and the characters who have inhabited it. Learn the truth about Judge Roy Bean and a few other heroes and rogues.
The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.
Never have so many done so much to stop so few. The year was 1895, and Dallas gambler Dan Stuart had a modest idea: promote a boxing carnival featuring a match for the heavyweight championship of the world between Gentleman Jim Corbett and Fighting Bob Fitzsimmons. What could be simpler? This richly detailed true epic of a fight and the hard-punching (and sometimes loony) political and religious turmoil surrounding it will entertain not only sports fans but all who appreciate a well-told tale that demonstrates once and for all that truth can be stranger than fiction - a lot stranger.
I was born in Sydney Australia, educated at Borromeo, Holy Cross College and Malvina High School at Ryde. Boxing was a passion from a very early age that only an enthusiast would understand or appreciate. An involvement of over 50 years, at all levels from an amateur boxer to trainer and official. Married with three sons and one granddaughter, I am a part-time writer of short stories and record books. A martial artist in the Korean forms of Hapkido and Kumdo, obtaining Black Belt levels. Now semi retired I fi nd it important to give as much back as I have received from life, with gratitude.
The impetus for producing a bibliography of Noam Chomky s output (so far) derives from a strong interest in and commitment to a historical accounting of the contribution to the field of linguistic theory and possibly other subjects, such as philosophy and political science, by a man who has dominated linguistics for more than a generation, at least in North America. This bibliography lists his writings in linguistics and related fields, his writings on political issues and other non-linguistic subjects, and interview and discussions with Noam Chomsky.
This work brings a fresh perspective to the history of modern prizefighting, a sport which has evolved over several centuries to become one of mankind's most lasting and valued sporting attractions. With his primary focus outside the ropes, the author shows how organizers, publicity agents, and political allies overcame both legal and moral roadblocks to make fisticuffing a lively commercial enterprise. The book begins with the clandestine bare-knuckle fights in eighteenth-century London, and ends with the vibrant, large-scale productions of modern Las Vegas "fight nights." Along the way, he explains many of the myths about antiquarian prizefighters, describes the origins of slave fight folklore, and examines the forces that transformed Las Vegas into the world's leading venue for important fights.
The first filmed prizefight, Veriscope's Corbett-Fitzsimmons Fight (1897) became one of cinema's first major attractions, ushering in an era in which hugely successful boxing films helped transform a stigmatized sport into legitimate entertainment. Exploring a significant and fascinating period in the development of modern sports and media, Fight Pictures is the first work to chronicle the mostly forgotten story of how legitimate bouts, fake fights, comic sparring matches, and more came to silent-era screens and became part of American popular culture.