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This book brings together an extensive and varied collection of Sir Peter Maxwell Davies's written and spoken-word items for the first time. Spanning the composer's entire career, this compendium offers a balanced selection of Davies's articles and essays, speeches and lectures, interviews, radio broadcasts, programme notes, tributes and letters to newspapers. A number of items are published for the first time, including a new article from Davies himself (commissioned specially for this book), and several BBC radio broadcast interviews and talks from the 1960s. The structure of the book is chronological and divided into three parts, allowing readers to trace the development of Davies's thought and work over time, and to place each item in its biographical and historical context. The introduction and notes by Nicholas Jones place the writings in context, making this volume invaluable for those interested in the music and wider culture of post-war Britain.
This title was first published in 2002. Sir Peter Maxwell Davies is one of Britain's most distinguished composers. This source book documents as much of the material on his music as is available to 2001. As Richard McGregor points out in his foreword to the volume, Stewart Craggs has made valuable advances in sorting out the origins of many unknown works and gleaning details of many private compositions. The book also supplies details of those unknown works which haven't appeared in any previous catalogues, including broadcasts of early works from the BBC Archives. With information given on first performances, manuscript locations and recordings, in addition to details of composition dates, authors/librettists, durations, commissions and dedications amongst much else, this book is a key reference source for all those interested in Peter Maxwell Davies and his music.
Leven en werk van de Engelse componist (geb. 1934).
Written with the subject's co-operation, this is a biography of the British composer, Sir Peter Maxwell Davies.
Peter Maxwell Davies (1934-2016) was one of the leading international composers of the post-war period as well as one of the most productive. This book provides a global view of his music, integrating a number of resonant themes in the composer's work while covering a representative cross-section of his vast output - his work list encompasses nearly 550 compositions in every established genre. Each chapter focuses on specific major works and offers general discussion of other selected works connected to the main themes. These themes include compositional technique and process; genre; form and architecture; tonality and texture; allusion, quotation and musical critique; and place and landscap...
"As a composer one forgets, in time, the fine detail of composition processes which produced past work... it must be left to scholars to recreate, slowly and painstakingly, earlier creative processes." Peter Maxwell Davies. In the eight essays presented here, leading scholars of the music of Peter Maxwell Davies explore some of the composer's creative processes. David Roberts, Peter Owens and Richard McGregor examine Davies's employment of pitch-class sets and other models evident in his sketch material, while Joel Lester looks at the serial elements that produce structure and effect in the work Ave Maris Stella. The political, literary and musical influences evident in the 1987 opera Resurr...
A guide to the music of Britain's most prominent living composer, this volume contains the most complete listing available of Davies's works (unpublished as well as published) plus a comprehensive discography and a bibliography of nearly 1,000 items. Each entry is keyed to the discography and the annotated bibliography. There is also a brief biography. Maxwell Davies is extremely prolific, with nearly 300 compositions to his credit so far. He is also a conductor of distinction. This work will be of interest to scholars and students as well as anyone interested in 20th-century composers. Davies currently holds the posts of Associate Conductor/Composer with the Royal Philharmonic Orchestra and the BBC Philharmonic, among other positions. Moreover, he has been a strong voice in support of music education in Britain and has composed many works for children and young performers. When he taught music to children, he encouraged them to compose, believing that most have a natural musical ability.
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2009 marked the 75th birthday of Sir Peter Maxwell Davies, an occasion that presented an opportunity for reflection upon, and appreciation of, a period of compositional achievement that extends from the 1950s to the present. This book forms part of that reflection through a statement of the current condition of research on Maxwell Davies's music. Detailed analytical discussions of individual works, such as the opera Taverner and the First Symphony, coexist with broader issues and perspectives, including Davies's own writings about music, his engagement with sonata form, the compositional source, problems of text, and the situating of this music within and in relation to 'modern times'. The book describes selected works from all periods of Davies's rich and diverse career, resulting in a portrait of the music that, while it may be incomplete, reveals the essence of this remarkable composer and his music.