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Japanese Mythology and the Primeval World
The Japanese have faithfully preserved their ancient myths as a connected and well ordered system. And as a system, Japanese myths say much about the human condition in the cosmos and about the human place in the cosmic order. Not until now has a book-length, English-language study been released on Japanese mythology. Drawing on his meticulous research, Asianist Peter Metevelis presents this selection of analytic essays that form a mosaic of themes on the primordial world of Japanese myth, adding a rewarding voice to cultural history and the history of ideas around the world. Metevelis shows that, contrary to popular belief, Japanese myths have much in common with other myths around the glob...
The A to Z of Modern Japanese Literature and Theater
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. The A to Z of Modern Japanese Literature and Theater presents a broad perspective on the development and history of literature-narrative, poetry, and drama-in modern Japan. This book offers a chronology, introduction, bibliography, and over 400 cross-referenced dictionary entries on authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Mythical Stone
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First Morning Star and Other Tales
This collection of fantasy, science fiction, ghost stories, and amazing tales provides the reader with variety. In "First Morning Star" an archaeologist goes to the ends of the world seeking the origin of civilization. He finds it--in spades. In "Fake Sleeper," a youth finds a creative way to win a drag race with a pooped out jalopy. Many stories flutter between worlds of the living and worlds of the dead. Their spectral cast haunts unsuspecting mortals, often from a recurring cemetery called Sarah's Lot. In "Rob the Horrible," the undead protagonist wanders the world perplexed by effects his ghastly appearance have on the mortals he encounters. In "The Beckoning," a ghost who first frightens a 1960s office lady turns out to be full of tenderness. Through his stark language, haunting imagery, and humor, author Peter Metevelis crosses culture and time with an unaffected easiness, spinning yarns that collectively offer a single experience across cultures. Even while crossing boundaries of time and culture, Prof. Metevelis continues to explore the riddle of mortality.
The Protocol of the Gods
The Protocol of the Gods is a pioneering study of the history of relations between Japanese native institutions (Shinto shrines) and imported Buddhist institutions (Buddhist temples). Using the Kasuga Shinto shrine and the Kofukuji Buddhist temple, one of the oldest and largest of the shrine-temple complexes, Allan Grapard characterizes what he calls the combinatory character of pre-modern Japanese religiosity. He argues that Shintoism and Buddhism should not be studied in isolation, as hitherto supposed. Rather, a study of the individual and shared characteristics of their respective origins, evolutions, structures, and practices can serve as a model for understanding the pre-modern Japanese religious experience. Spanning the years from a period before historical records to the forcible separation of the Kasuga-Kofukuji complex by the Meiji government in 1868, Grapard presents a wealth of little-known material. He includes translations of rare texts and provides new, accessible translations of familiar documents.
Historical Dictionary of Modern Japanese Literature and Theater
With the Meiji Restoration in 1868, Japan opened its doors to the West and underwent remarkable changes as it sought to become a modern nation. Accompanying the political changes that Western trade ushered in were widespread social and cultural changes. Newspapers, novels, poems, and plays from the Western world were soon adapted and translated into Japanese. The combination of the rich storytelling tradition of Japan with the realism and modernism of the West produced some of the greatest literature of the modern age. Historical Dictionary of Modern Japanese Literature and Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 500 cross-referenced entries authors, literary and historical developments, trends, genres, and concepts that played a central role in the evolution of modern Japanese literature.
Myth in History
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Bibliographie Internationale D'anthropologie Sociale Et Culturelle 1992
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
Painting in Stone
A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.
