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Framing Muslims
In Framing Muslims: Stereotyping and Representation after 9/11, Peter Morey and Amina Yaqin dissect how stereotypes that depict Muslims as an inherently problematic presence in the West are constructed, deployed, and circulated in the public imagination, producing an immense gulf between representation and a considerably more complex reality.
Alternative Indias
Presents several essays in studies of Indian literature and film, by discussing how key authors offer contending, 'alternative' visions of India and how poetry, fiction and film can revise both the communal and secular versions of national belonging thatdefine current debates about 'Indianness'.
Islamophobia and the Novel
In an era of rampant Islamophobia, what do literary representations of Muslims and anti-Muslim bigotry tell us about changing concepts of cultural difference? In Islamophobia and the Novel, Peter Morey analyzes how recent works of fiction have framed and responded to the rise of anti-Muslim prejudice, showing how their portrayals of Muslims both reflect and refute the ideological preoccupations of media and politicians in the post-9/11 West. Islamophobia and the Novel discusses novels embodying a range of positions—from the avowedly secular to the religious, and from texts that appear to underwrite Western assumptions of cultural superiority to those that recognize and critique neoimperial...
Culture, Diaspora, and Modernity in Muslim Writing
This volume considers literary fiction by Muslim writers, dealing with the interaction of Muslim and non-Muslim cultures and exploring liberal orthodoxies such as secularism and multiculturalism. It covers writers such as Rushdie, Kureishi, Hamid, Aslam and Shamsie in essays by experts in English, South Asian, and postcolonial literatures in English.
The Cambridge Companion to E. M. Forster
A collection of essays on the life and work of E. M. Forster.
Parliamentary Papers
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Fictions of India
Fictions of India explores the relation of narrative technique to issues of power in the work of selected writers dealing with India. It examines the imperial context in which the writers operate and suggests how historical and ideological assumptions and anxieties may be read into the texts they produce. The study combines aspects of colonial and post-colonial debate with narrative theories to illuminate the work of these writers operating on either side of an epistemological divide formed by Indian independence in 1947. The book focuses largely on British writers on India with chapters on Kipling, E.M. Forster, John Masters, J.G. Farrell and Paul Scott. A final, comparative chapter traces ...
Rohinton Mistry
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The award-winning novelist Rohinton Mistry is recognised as one of the most important contemporary writers of postcolonial literature. This study - the first of its kind - will provide scholars and students with an insight into the key features of Mistry's work. Peter Morey suggests how the author's writing can be read in terms of recent Indian political history, his native Zoroastrian culture and ethos, conventions of oral storytellling common to Persia and South Asia, and the experience of migration which now sees him living in Canada. The texts are viewed through the lens of diaspora and minority discourse theories to show how Mistry's writing is illustrative of marginal positions in relation to sanctioned national identities.
Gentle Ben
The Alaskan wilderness is a lonely place for Mark Andersen, especially after the death of his brother. But Mark finds a friend named Ben, who happens to be an Alaskan brown bear. Ben and Mark form a special bond, but the townspeople are determined to destroy it. It is only through the strength of an enduring friendship that Ben—and Mark—have a chance of being saved.
Framing Muslims
Can Muslims ever fully be citizens of the West? Can the values of Islam ever be brought into accord with the individual freedoms central to the civic identity of Western nations? Not if you believe what you see on TV. Whether the bearded fanatic, the veiled, oppressed female, or the shadowy terrorist plotting our destruction, crude stereotypes permeate public representations of Muslims in the United States and western Europe. But these "Muslims" are caricatures—distorted abstractions, wrought in the most garish colors, that serve to reduce the diversity and complexity of the Muslim world to a set of fixed objects suitable for sound bites and not much else. In Framing Muslims: Stereotyping ...
