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Too Short a Summer
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The First Day of the Blitz
On September 7, 1940, the Blitz began. The bombing of London, by over one thousand planes on that night alone, was recognised at the time as being a direct measure to break the country's resistance. This book tells of the impact that this terror from the skies had on British people and the course of war.
Creative Photography
First authoritative, comprehensive study of photography from a purely aesthetic point of view, spanning its history from daguerreotypes to modern photo-reportage. 240 superb photographs. First inexpensive paperback edition.
Imagining the Present
Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century. Lawrence Alloway ranks among the most important critics of his time, and his contributions to the spirited and contentious dialogue of his era make for fascinating reading. These twenty-nine provocative essays from 1956 to 1980 from the man who invented the term ‘pop art’ bring art, film, iconography, cybernetics and culture together for analysis and investigation, and do indeed examine the context, content and role of the critic in art and visual culture. Featuring a critical commentary by Richard Kalina, and preface by series editor Saul Ostrow, Imagining the Present will be an enthralling read for all art and visual culture students.
The Cambridge Guide to Women's Writing in English
An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.
London
A look at style and urbanism, offering a reconsideration of the role of fashion in city life and filling in overlooked gaps in the history of London and modern design.
Virgil Thomson's Musical Portraits
From 1928 until his death in 1989, Virgil Thomson, Dean of American Composers, distinguished critic and author, composed musical portraits of people. Though he was not the first composer to do so, the seriousness of his working methods and the quantity of his output (140 in all) make Thomson's practice of musical portraiture unique. Anthony Tommasini's book is based on his extensive interviews with Virgil Thomson, his examination of Thomson's manuscripts and documents, and his correspondences with over sixty subjects of Thomson portraits (the "still-available sitters," as Thomson called them). Earlier examples of musical portraits are examined, as well as the literary portraits of Gertrude Stein, works which inspired Thomson to experiment with portraiture in music.
British Art in the Nuclear Age
Rooted in the study of objects, British Art in the Nuclear Age addresses the role of art and visual culture in discourses surrounding nuclear science and technology, atomic power, and nuclear warfare in Cold War Britain. Examining both the fears and hopes for the future that attended the advances of the nuclear age, nine original essays explore the contributions of British-born and ?gr?rtists in the areas of sculpture, textile and applied design, painting, drawing, photo-journalism, and exhibition display. Artists discussed include: Francis Bacon, John Bratby, Lynn Chadwick, Prunella Clough, Naum Gabo, Barbara Hepworth, Peter Lanyon, Henry Moore, Eduardo Paolozzi, Peter Laszlo Peri, Isabel R...
The British Surrealists
Fêted for their idiosyncratic and imaginative works, the surrealists marked a pivotal moment in the history of modern art in Britain. Many banded together to form the British Surrealist Group, while others carved their own, independent paths. Here, bestselling author and surrealist artist Desmond Morris - one of the last surviving members of this important art movement - draws on his personal memories and experiences to present the intriguing life stories and complex love lives of this wild and curious set of artists. From the unpredictability of Francis Bacon to the rebelliousness of Leonora Carrington, from the beguiling Eileen Agar to the brilliant Ceri Richards, Morris brings his subjects foibles and frailties to the fore. His vivid account is laced with his inimitable wit, and profusely illustrated by images of the artists and their artworks. Featuring thirty-four surrealists - some famous, some forgotten - Morriss intimate book takes us back in time to a generation that allowed its creative unconscious to drive their passions in both art and life. With 105 illustrations
The Scandalous Eye
Conroy Maddox discovered surrealism by chance in 1935 and spent the rest of his life exploring its potential through his paintings, collages, photographs, objects and texts. Inspired by artists such as Max Ernst, Oscar Dominguez and Salvador Dalí, he rejected academic painting in favor of techniques that expressed the surrealist spirit of rebellion. Maddox went on to become a rebel in every sense – the defiance that had initially turned towards aesthetics became a broader challenge against morality, religion and the establishment as a whole. Maddox’s colorful exploits and outstanding artistic production undoubtedly made him Britain’s most beguiling, provocative and vigorous exponent of surrealism. This book maps out his place in the history of the surrealist movement and reveals the intellectual complexity as well as the poignant charm of an oeuvre that spans eight decades.
