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Shifting Views and Changing Places
Since the 1970s Rick Dingus has photographed “landscapes”: remote wilderness and rural settings, vernacular traces, urban environments, and ancient pathways that invite viewers to look closer, to think about how to interpret what they are seeing. Perception unfolds in many ways in this volume, whose photographs document Dingus’s lifelong exploration of the intersections of time, place, culture, and nature. Dingus discusses his creative process in practical and philosophical terms through brief opening passages and an in-depth interview with art curator Peter S. Briggs. An introductory essay by curator Toby Jurovics considers Dingus’s oeuvre within the evolution of landscape photograp...
Groundwork
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New Mexico Artists
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A Physical Art, the Intaglio Prints of Andrew Rush, 1957-1997
This forty year survey of intaglio prints by Andrew Rush (born 1931) explores the creative foundation of his current work as printmaker, sculptor, painter and public artist. Beginning with his early years in Italy, fresh from the University of Iowa's program directed by Mauricio Lasansky, the publication explores Rush's quick evolution into his unique style that celebrates the union of artist, etching plate, paper. Catalog published in conjunction with an exhibition at the University of Arizona Museum of Art, Tucson, October 25, 2003 - January 18, 2004. Exhibition curated by Peter S. Briggs.
Foreign Service List
Includes field staffs of Foreign Service, U.S. missions to international organizations, Agency for International Development, ACTION, U.S. Information Agency, Peace Corps, Foreign Agricultural Service, and Department of Army, Navy and Air Force
Art, Death and Social Order
This study of the mortuary arts of pre-conquest Central Panama is based on material from sites in the Tonosi valley and at Sitio Conte in the Cocle Province. Individuals are ranked in social order according to the objects in their graves, and contrasted, in analysis with the ranking structure of the US army.
