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Spar
Peter Sanger's poetry has always demonstrated his extraordinary focus and vigorous engagement with the objects that surround him. These four essays find their basis in the everyday stuff of backwoods Nova Scotia, demonstrating how a road with two names, a crooked knife, an abandoned shipyard and a fragment of gypsum might hone our thoughts and shape our sense of words in place.
Of Things Unknown
For over four decades, Nova Scotia poet and essayist Peter Sanger has quietly shaped the literary landscape of the nation, both through his own critically acclaimed books and as the long-serving poetry editor of The Antigonish Review. Underpinning this contribution is Sanger's dedication to the long-form critical essay, a form of which he is an acknowledged master. Of Things Unknown gathers 24 of Sanger's previously uncollected critical essays, their subjects ranging from writers with whom he has been long associated (John Thompson, Douglas Lochhead, Richard Outram, Elizabeth Bishop) to others like Geoffrey Hill, David Jones, Saint-Denys-Garneau and Emily Carr. Appraised as a whole, Sanger's essays map the evolution of a critical methodology which worked counter to the inward-looking, nationalistic cheerleading (and sometimes juvenile sniping) that often dominates Canadian criticism. Through his intense focus on the texts, on reading deeper and ranging wider, Sanger modelled a way for the generation of Canadian literary critics and readers that followed, challenging our sense of how we might think and write about what we read.
Oikos
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Earth Moth
In this unornamented collection of verse, Peter Sanger weaves scientific terms and historic allusions into lines of austere clarity.
Biorachan Road
In this essay, Peter Sanger considers the imaginative implications arising from the fact that a near-derelict rural road's name is spelled differently on each of its ends. This essay was originally published in Sangers trade collection Spar: Words in Place (Gaspereau, 2002) and has been reprinted in this special letterpress-printed limited edition to mark its 20th anniversary.
Kerf
Fifteen poems that combine archaeology and the natural world.
Fred Sanger - Double Nobel Laureate
Considered 'the father of genomics', Fred Sanger (1918–2013) paved the way for the modern revolution in our understanding of biology. His pioneering methods for sequencing proteins, RNA and, eventually, DNA earned him two Nobel Prizes. He remains one of only four scientists (and the only British scientist) ever to have achieved that distinction. In this, the first full biography of Fred Sanger to be published, Brownlee traces Sanger's life from his birth in rural Gloucestershire to his retirement in 1983 from the Medical Research Council's Laboratory of Molecular Biology in Cambridge. Along the way, he highlights the remarkable extent of Sanger's scientific achievements and provides a real portrait of the modest man behind them. Including an extensive transcript of a rare interview of Sanger by the author, this biography also considers the wider legacy of Sanger's work, including his impact on the Human Genome Project and beyond.
White Salt Mountain
In this remarkable follow-up to Spar: Words in Place (Gaspereau Press, 2002), Peter Sanger explores the scope of words in time. Offering significant new material to the study of linguist Silas Rand and poet John Thompson, Sanger introduces Susan Barss and Florence Ayscough, notable but largely unsung contributors to Rand's and Thompson's work. With the same passion for reading and exploration, along with several of the neighbourhood landmarks, symbolic imagery and literary influences that first emerged in Spar, Sanger joins the lives and work of key authors and translators in Canada's literary history. Sanger's unique and far-sighted approach to words and time illuminates critical intersecti...
Fireship
"I believe a book can be a labyrinth whose centre is the journey to itself," writes Peter Sanger. "A concerto grosso, not a singular declamation" And indeed in reading Sanger, individual books, like individual poems, may profitably be read as layers in the strata of his oeuvre, each influenced by what was written before and influencing in turn what was to be written next. Taken together, his books describe the long arc of his particular sensitivity to language and his ever-evolving sense of nature, culture and place. "All the poems in Fireship," writes Sanger, "concern where we were, where we are, where we will be." As well as his many prose projects, Gaspereau Press has been publishing Sang...
