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Shipwreck in French Renaissance Writing
In the sixteenth century, a period of proliferating transatlantic travel and exploration, and, latterly, religious civil wars in France, the ship is freighted with political and religious, as well as poetic, significance; symbolism that reaches its height when ships--both real and symbolic--are threatened with disaster. The Direful Spectacle argues that, in the French Renaissance, shipwreck functions not only as an emblem or motif within writing, but as a part, or the whole, of a narrative, in which the dynamics of spectatorship and of co-operation are of constant concern. The possibility of ethical distance from shipwreck--imagined through the Lucretian suave mari magno commonplace--is cons...
Essays on (Albrecht) Dürer
Lectures presented at the Dürer Festival held by the University of Manchester in collaboration with the Goethe Institute, 1971.
A Companion to German Literature
Presents, in an immensely readable yet profoundly scholarly account, the history of German literature from the Reformation and Renaissance to the late twentieth century, in the wider context of Germanic culture, over the whole German-speaking area of Europe.
The Split Subject of Narration in Elizabeth Gaskell's First Person Fiction
The Split Subject of Narration in Elizabeth Gaskell’s First-Person Fiction analyzes a number of Elizabeth Gaskell's first-person works through a post-modern perspective employing such theoretical frameworks as psychoanalytic theory, narratology, and gender theory. It attempts to explore the problematics of Victorian subjectivity, bringing into focus the ways in which both her realistic and Gothic texts undercut and interrogate post-Romantic assumptions about an autonomous and coherent speaking and/or narrating subject. The essential argument of the book is that the mid-nineteenth-century narrating “I”, in its communal, voyeuristic, and Gothic manifestations emerges as painfully divided...
Litpop: Writing and Popular Music
Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ co...
From Fin-de-siècle to Theresienstadt
Original Scholarly Monograph
Vanishing Sensibilities
Vanishing Sensibilities examines once passionate cultural concerns that shaped music of Schubert, Beethoven, Schumann, and works of their contemporaries in drama or poetry. Music, especially music with text, was a powerful force in lively ongoing conversations about the nature of liberty, which included such topics as the role of consent in marriage, same-sex relationships, freedom of the press, and the freedom to worship (or not). Among the most common vehicles for stimulating debate about pressing social concerns were the genres of historical drama, and legend or myth, whose stories became inflected in fascinating ways during the Age of Metternich. Interior and imagined worlds, memories an...
Victorian Women Writers and the Other Germany
A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.
Heresy in Transition
The concept of heresy is deeply rooted in Christian European culture. The palpable increase in incidences of heresy in the Middle Ages may be said to directly relate to the Christianity's attempts to define orthodoxy and establish conformity at its centre, resulting in the sometimes forceful elimination of Christian sects. In the transition from medieval to early modern times, however, the perception of heresy underwent a profound transformation, ultimately leading to its decriminalization and the emergence of a pluralistic religious outlook. The essays in this volume offer readers a unique insight into this little-understood cultural shift. Half of the chapters investigate the manner in whi...
The Baroque
First Published in 1978, The Baroque focuses on eight areas where it expressed itself most successfully. The cultural movement called baroque dominated most of the Western Europe from the late sixteenth century to the 1720s. During that long time, it went through various phases, affecting some arts, some countries more than others. There are many overlapping definitions of baroque like from a mode of European painting to a style of architecture or rather a cultural phenomenon which manifested itself most noticeably in the fine and applied arts. In this book each chapter presents a separate exploration of different interlinked facets of this vast and maze-like subject. This book is an interesting read for scholars of European literature.
