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Poet and essayist Peter Stitt describes not a perfect life achieved, but his search for that unattainable ideal, writing of books he has loved and the often difficult lives of writers, including his teachers John Berryman and James Wright along with his lifelong literary companions Frost, Stevens, Austen, Dickinson, and Poe. Generous and alert in his fascinations, Stitt explores a quest for freedom among the Amish, the French partisans, and the "heretical" Cathars; considers divine interest in college basketball; and offers a fresh perspective on parenting, meditating on the life of an adopted stepdaughter.
The rural south is a region in which every part of the past is very much its present. Peter Stitt's collection of photographs are an expressive study of a landscape that can be, at times, both particularly straightforward and subtly peculiar. Each image is a contemporary representation of a memory, a feeling, or a meditation on the small towns of the rural South.
From the extraordinary diversity of contemporary poetry, Peter Stitt, the distinguished critic and editor of the Gettysburg Review, has chosen in this book to write about five poets only, all premier practitioners—John Ashbery, Stephen Dobyns, Charles Simic, Gerald Stern, and Charles Wright, with a special look at Stanley Kunitz in relation to Wright. Stitt's confident and inventive assessments of these fine poets' work help us gain some focus on the “uncertainty and plenitude” of the current poetry scene, demonstrating that concentrated and knowledgeable criticism can show us ways to begin measuring the accomplishments of our poetic age. Stitt's interest in these five poets is intelle...
Collects the finest critical writing on one of the masters of American poetry
Richard Wilbur; William Stafford; James Wright; Louis Simpson; Robert Penn Warren.
Provides reviews of four poems by Mark Strand along with criticism and thematic analysis of other works and a short biography of the poet.
Features poems, an essay, and previously unpublished letters by James Wright, plus excerpts from interviews, memoirs, and elegies
Collects a wide variety of interviews given by the author over the years, including television appearances and conversations with other writers
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In Estranging the Familiar, G. Douglas Atkins addresses the often lamented state of scholarly and critical writing as he argues for a criticism that is at once theoretically informed and personal. The revitalized critical writing he advocates may entail--but is not limited to--a return to the essay, the form critical writing once took and the form that is now enjoying a resurgence of popularity and excellence. Atkins contends that to reach a general audience, criticism must move away from the impersonality of modern criticism and contemporary theory without embracing the old-fashioned essay. "The venerable familiar essay may remain the basis," Atkins writes, "but its conventional openness, r...