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In many North of England towns, like Manchester and Oldham, violence was never far below the surface during the disturbed times of the Industrial Revolution in the early 19th century, with cotton mill owners pitted against their operatives and worker against worker. Sam Johnson was a 17-year- old cotton spinner apprenticed to his father at Greenbank Mill when three over-zealous Oldham constables raided a union meeting and arrested two union men. The end result was a huge riot involving thousands of Oldham workers and a partly successful attempt to demolish the Bankside Mill on Manchester Street and adjacent workers' homes. One onlooker was shot dead. The subsequent random arrests when the mi...
Water reflects culture. This book is a detailed analysis of hydrological change in Australia’s largest inland waterway in Australia, the Gippsland Lakes in Victoria, in the first 70 years of white settlement. Following air, water is our primal need. Unlike many histories, this book looks at the entire hydrological cycle in one place, rather than focusing on one bit. Deftly weaving threads from history, hydrology and psychology into one, Following the Water explores not just what settlers did to the waterscape, but probes their motivation for doing so. By combining unlikely elements together such as swamp drainage, water proofing techniques and temperance lobbying, the book reveals a web of perceptions about how water ‘should be’. With this laid clear, we can ask how different we are from our colonial forebears.
Yallourn was designed in the 1920s as a garden town, laid out on “hygienic and aesthetic principles” embodying “the most modern practice.” It became a thriving and close-knit community that was home to several generations of State Electricity Commission (SEC) workers and their families. By the 1960s, however, it was being portrayed as outmoded, “unattractive to modern housewives,” decrepit, and obsolete. The town was no longer described as a model town but as an area that had to be cleared. This book brings to life the impact of the town and its demise on the individuals who lived there and on the community they created—a community that still exists vividly in memory and imagination.
Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination. A fascinating cast of characters includes some of Australia’s best-known and most-loved artists, including Eugène von Guérard, Jessie Traill, Arthur Streeton, Clarice Beckett, Sidney Nolan, Arthur Boyd, Fred Williams, and Jeffrey Smart. Readers will discover also a host of new names destined for recognition. Spirits in the Bush reveals how artists have grappled with a region that is in equal measures beautiful and brutal, and which has provided the stage for many of the key battles in Australian art history. Bound by geographical camaraderie, and with the spectre of Gippsland’s past as an unwavering presence, the stories of their art unfold in a unique dialogue. This publication was made possible through the generous support of the Gordon Darling Foundation.
Provides a thematic discussion and case studies on the history and development of Pentecostal and Charismatic churches in the countries of South Asia, South East Asia and East Asia.
The textile works of Annemieke Mein display a rare standard of artistry. She has explored beyond the bounds of craft and developed new techniques in her use of textiles and fabric paints. The illustrations in this book show how textiles can be used as an exciting sculptural medium. The artist's three-dimensional creations are works of extraordinary skill, born out of a passionate commitment to the environment that she observes with a loving eye. Annemieke uses an amazing variety of materials - silk, wool, fur, cotton, synthetics - carefully chosen for their colour, texture, credibility and aesthetic appeal. These fabrics are then meticulously painted and stitched to faithfully reproduce her chosen subjects and to enhance the tactile quality unique to textiles. Numerous techniques are used in limitless combinations: hand and machine embroidery, dyeing, applique, trapunto, quilting, pleating, felting, beading, weaving and plying. The work of Annemieke Mein will leave the reader breathless with wonder. It encourages an awareness of our natural heritage and of the need to preserve it. Previously published in paperback 9780855329778.
A history of the Sale and District Agricultural Society in Gippsland, with photographs of memorable parades, prize winners and entrants in shows over a period of 130 years. Appendices contain the minutes of the first meeting and a list of office holders from 1859P1989.