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A fascinating account of the only airworthy Hawker Hurricane, “now regarded as the most historic British aircraft to survive in flying condition from WW2” (FLYER). In 1982 when he was traveling in India, Peter Vacher stumbled on the remains of a British plane—a Hurricane Mark I, a veteran of the Battle of Britain. It was in a dreadful state. Could he restore it? Would it fly again? Not until 14 years later did he decide to act and after six years of wrangling he got the icon home. Then the truly difficult process of restoration began—a worldwide search for parts, careful reconstruction, flight testing—-until in 2005 it flew again to the delight of thousands of enthusiasts. Along the way Peter reunited three auspicious veterans—Peter Thompson, Bunny Currant, and Bob Foster—with R4118, men who had flown her during the war. To this day, the aircraft’s grace and splendor in flight is enjoyed by crowds across the UK. “The amazing story of how this only surviving Hurricane from the Battle of Britain was discovered and lovingly restored.” —The Mail on Sunday
The History of the Jodhpur Flying Club is the remarkable story of an Indian Maharaja's passion for flight, and his contributions to the early commercial air routes to southeast Asia. His Highness Maharajah Umaid Singh was instrumental in establishing one of the first air bases in India. During the 1920's and 1930's this visionary member of one of India's most distinguished families created the Jodhpur Flying Club near to Jodhpur's giant Chittar Palace. Today that small air field is now one of the Indian Air Force's premier military bases. From the 1920's until the 1950's the royal family of Jodhpur pushed the frontiers of Indian aviation and in doing so assisted the Allied war effort during ...
"From journeymen musicians to stars with many albums to their name, Mixed Messages includes interviews with 21 American jazz musicians - on music, mostly, but the world intrudes, as it does with the best of jazz music. The musicians range from the trombonist Louis Nelson, who was born in 1902, through the New Orleans pianist Ellis Marsalis, who is still playing and on to Byron Stripling, who plays trumpet with his Columbus Jazz Orchestra. Peter Vacher has been interviewing American jazz players since the 1950s, and this is his second collection of interviews." --
Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz ...
This book on geology and hydrogeology of carbonate islands is volume 54 in the Developments in Sedimentology series.
With recollections from the man himself, including exploits with the likes of Alan Ball, George Best, Mick Channon, Bobby Moore, and Peter Osgood, MacDou-goal traces Ted MacDougall's rise from his roots in Inverness, through his playing and coaching career, to the present day. An impressionable youngster under Bill Shankly at Liverpool, the Scottish international was prolific at York City, Bournemouth, Norwich City, and Southampton. Famously he set an FA Cup record with nine goals in one game against Margate in 1971, and answered critics in style as the First Division's top scorer in 1975/76. Rarely out of the headlines during the 1970s, there were also turbulent periods: first following a big-money move to Manchester United, then a fiery spell at West Ham and a controversial end to his Scotland career. He spent a season with Detroit Express, and explains his decision to relocate across the Atlantic, where he formed his own club. Never short of an opinion, MacDougall also has plenty to say about the modern game.
The development of jazz and swing in the African-American community in Los Angeles in the years before the second World War received a boost from the arrival of a significant numbers of musicians from Chicago and the southwestern states. In Swingin’ on Central: African-American Jazz in Los Angeles, a new study of that vibrant jazz community, music historian and jazz journalist Peter Vacher traveled between Los Angeles and London over several years in order to track down key figures and interview them for this oral history of one of the most swinging jazz scenes in the United States. Vacher recreates the energy and vibrancy of the Central Avenue scene through first-hand accounts from such W...
Jazz trombonist Jack Teagarden once referred to Ruby Braff as the “Ivy League'sLouis Armstrong.” That legacy of great trumpet performance and recording is brought to readers in Thomas Hustad’s Born to Play: The Ruby Braff Discography and Directory of Performances. Braff’s uncompromising standards, musical taste, and creative imagination informed his consummate artistry in creating music beautifully played. He achieved swiftly what few musicians accomplish in a lifetime by developing a unique and immediately recognizable style. For a reminder of that we need but play any of the more than 150 released recordings on which he appears. These records span a total of 54 years, from 1949 to ...
The 1940s saw a brief audacious experiment in mass entertainment: a jukebox with a screen. Patrons could insert a dime, then listen to and watch such popular entertainers as Nat "King" Cole, Gene Krupa, Cab Calloway or Les Paul. A number of companies offered these tuneful delights, but the most successful was the Mills Novelty Company and its three-minute musical shorts called Soundies. This book is a complete filmography of 1,880 Soundies: the musicians heard and seen on screen, recording and filming dates, arrangers, soloists, dancers, entertainment trade reviews and more. Additional filmographies cover more than 80 subjects produced by other companies. There are 125 photos taken on film sets, along with advertising images and production documents. More than 75 interviews narrate the firsthand experiences and recollections of Soundies directors and participants. Forty years before MTV, the Soundies were there for those who loved the popular music of the 1940s. This was truly "music for the eyes."
First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.