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This illustrated biography of the 16th president of the United States was originally a companion volume to a historic television documentary. It includes recreated images of Lincoln and his contemporaries from photographs, daguerreotypes, prints and cartoons of the day.
An extensively researched, lavishly illustrated consideration of the myths, memories, and questions that gathered around our most beloved—and most enigmatic—president in the years between his assassination and the dedication of the Lincoln Memorial in 1922. Availing themselves of a vast collection of both published and never-before-seen materials, the authors—the fourth and fifth generations of a family of Lincoln scholars—bring into focus the posthumous portrait of Lincoln that took hold in the American imagination. Told through the voices of those who knew the man—Northerners and Southerners, blacks and whites, neighbors and family members, adversaries and colleagues—Looking fo...
Includes several previously unpublished photographs, as well as enhanced reproductions created from Parks's original transparencies.
Class, race and labor in a Pittsburgh plant: a rarely seen series by Gordon Parks By 1944, Gordon Parks had established himself as a photographer who freely navigated the fields of press and commercial photography, with an unparalleled humanist perspective. That year, Roy Stryker--the former Farm Security Administration official who was now heading the public relations department for the Standard Oil Company (New Jersey)--commissioned Parks to travel to Pittsburgh, Pennsylvania, to document the Penola, Inc. Grease Plant. Employing his signature style, Parks spent two years chronicling the plant's industry--critical to Pittsburgh's history and character--by photographing its workers. The resu...
Explores the lives of the presidents and the evolution of the presidency.
Gordon Parks' ethically complex depictions of crime in New York, Chicago, San Francisco and Los Angeles, with previously unseen photographs When Life magazine asked Gordon Parks to illustrate a recurring series of articles on crime in the United States in 1957, he had already been a staff photographer for nearly a decade, the first African American to hold this position. Parks embarked on a six-week journey that took him and a reporter to the streets of New York, Chicago, San Francisco and Los Angeles. Unlike much of his prior work, the images made were in color. The resulting eight-page photo-essay "The Atmosphere of Crime" was noteworthy not only for its bold aesthetic sophistication, but ...
The first African American photographer to be hired full time by Life magazine, Gordon Parks was often sent on assignments involving social issues that his white colleagues were not asked to cover. In 1950 he returned on one such assignment to his hometown of Fort Scott in southeastern Kansas: he was to provide photographs for a piece on segregated schools and their impact on black children in the years prior to Brown v. Board of Education. Parks intended to revisit early memories of his birthplace, many involving serious racial discrimination, and to discover what had become of the 11 members of his junior high school graduation class since his departure 20 years earlier. But when he arrive...
This volume explores the making of Gordon Parks' first photographie essay for Life magazine in 1948, "Harlem Gang Leader". After gaining the trust of one particular group of gang members and their leader, Leonard "Red" Jackson, Parks produced a series of photographs that are artful, poignant, and, at times, shocking. From this large body of work (Parks made hundreds of negatives) the editors at Life selected twenty-one pictures to print in the magazine, often cropping or enhancing details in the pictures. Gordon Parks : The .Making of an Argument traces this editorial process and parses out the various voices and motives behind the production of the picture essay. This volume. together with ...
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This unique and beautiful book captures an overlooked but vital aspect of Lincoln: his face. Taken across a span of nearly 20 years, from 1846 to 1865, these images provide a wide range of Lincolns, from wise and bemused to melancholic and homely.