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The Stationers' Company and the Printers of London, 1501–1557
This major, revisionist reference work explains for the first time how the Stationers' Company acquired both a charter and a nationwide monopoly of printing. In the most detailed and comprehensive investigation of the London book trade in any period, Peter Blayney systematically documents the story from 1501, when printing first established permanent roots inside the City boundaries, until the Stationers' Company was incorporated by royal charter in 1557. Having exhaustively re-examined original sources and scoured numerous archives unexplored by others in the field, Blayney radically revises accepted beliefs about such matters as the scale of native production versus importation, privileges and patents, and the regulation of printing by the Church, Crown and City. His persistent focus on individuals - most notably the families, rivals and successors of Richard Pynson, John Rastell and Robert Redman - keeps this study firmly grounded in the vivid lives and careers of early Tudor Londoners.
Shakespeare at Work
Why did Shakespeare revise his plays? In a brilliant and pioneering analysis, the distinguished critic John Jones explores the critical and dramatic significance of Shakespeare's revisions. Analyzing such plays as Hamlet, Othello, King Lear, and Troilus and Cressida, he reveals the artistic impact of the revisions and their importance for our understanding of each play's moral and metaphysical foundations.
The Printing and the Printers of The Book of Common Prayer, 1549–1561
A groundbreaking new history of the origins and evolution of the Anglican liturgy which transforms understanding of the English Reformation.
The First Quarto of King Lear
This edition of Shakespeare's King Lear is based on the first (1608) quarto and represents a significantly different version from that published in the folio of 1623, which forms the basis of the standard New Cambridge Shakespeare edition. Each has numerous unique passages and hundreds of variant readings, creating differences that affect the structure, characterization and overall impact of the play. This volume contains a substantial introduction, the text of the first quarto, a collation of variant readings and an appendix of passages unique to the Folio.
2003 Lectures
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Shakespeare's Book
The never-before-told story of how the makers of The First Folio created Shakespeare as we know him today. 2023 marks the 400-year anniversary of the publication of Mr William Shakespeare’s Comedies, Histories, & Tragedies, known today simply as the First Folio. It is difficult to imagine a world without The Tempest, Twelfth Night, Antony and Cleopatra, The Winter’s Tale, and Macbeth, but these are just some of the plays that were only preserved thanks to the astounding labor of love that was the first collected edition of Shakespeare’s plays. When the First Folio hit the bookstalls in 1623, nearly eight years after the dramatist’s death, it provided eighteen previously unpublished p...
Lost Books
Questions of survival and loss bedevil the study of early printed books. Many early publications are not particularly rare, but many have disappeared altogether. Here leading specialists in the field explore different strategies for recovering this lost world of print.
Every Man Out of His Humour
Jonson's Every Man Out of His Humour is a comical satire about envy and aspiration among the ambitious middle classes, who seek happiness in fame and material fortune. This first critical edition of the play conveys early modern obsessions with wealth and self-display through historical contexts. The book offers an intriguing look at the course of urban comedy, and a wealth of information about social relationships and colloquial language at the end of the Elizabethan period.
Early Modern Herbals and the Book Trade
In the early modern herbal, Sarah Neville finds a captivating example of how Renaissance print culture shaped scientific authority.
