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Literature and the Growth of British Nationalism
This book explores how British Romantic poetry--the writing, reading, and critical reception of it--reinforced British nationalism in the 19th century, ripening the political processes of nationhood that began with the first Act of Union in 1707. Using archival research on literary collections, criticism and reviews, this study documents the rise of bardic criticism in the 18th century, a style of literary criticism that reinvented the vernacular poet as a national bard and established a national role for poetry. Within this context, this book offers a new reading of major works by Romantic poets from Wordsworth and Coleridge to Felicia Hemans and Anna Letitia Barbauld, illuminating the ways they corroborated the public image of poets as bona fide national bards and advanced British nationalism, even when they intentionally set out to oppose or reform the politics of state.
Metaromanticism
This bracing study redefines romanticism in terms of its philosophical habits of self-consciousness. According to Paul Hamilton, metaromanticism, or the ways in which writers of the romantic period generalized their own practices, was fundamentally characteristic of the romantic project itself. Through a close look at the aesthetics of Friedrich Schiller and Jean-Jacques Rousseau, and key works by Samuel Taylor Coleridge, Percy and Mary Shelley, John Keats, Sir Walter Scott, Jane Austen, and many others, Hamilton shows how the romantic movement's struggle with its own tenets was not an effort to seek an alternative way of thought, but instead a way of becoming what it already was. And yet, as he reveals, the romanticists were still not content with their own self-consciousness. Pushed to the limit, such contemplation either manifested itself as self-disgust or found aesthetic ideas regenerated in discourses outside of aesthetics altogether.
British Women Poets of the Romantic Era
This groundbreaking volume not only documents the richness of their literary contributions but changes our thinking about the poetry of the English Romantic period.
The Oxford History of Literary Translation in English:
Translation has played a vital part in the history of literature throughout the English-speaking world. Offering for the first time a comprehensive view of this phenomenon, this pioneering five-volume work casts a vivid new light on the history of English literature. Incorporating critical discussion of translations, it explores the changing nature and function of translation and the social and intellectual milieu of the translators.
Queer Wales
The relationship between nation and queer sexuality has long been a fraught one, for the sustaining myths of the former are often at odds with the needs of the latter. This collection of essays introduces readers to important historical and cultural figures and moments in queer life, and it addresses some of the urgent questions of queer belonging that face Wales today.
Poetic Castles in Spain
British culture of the Romantic period is distinguished by a protracted and varied interest in things Spanish. The climax in the publication of fictional, and especially poetical, narratives on Spain corresponds with the intense phase of Anglo-Iberian exchanges delimited by the Peninsular War (1808-14), on the one hand, and the Spanish experiment of a constitutional monarchy that lasted from 1820 until 1823, on the other. Although current scholarship has uncovered and reconstructed several foreign maps of British Romanticism - from the Orient to the South Seas - exotic European geographies have not received much attention. Spain, in particular, is one of the most neglected of these 'imaginar...
Romanticism and Gender
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Textual Practice
In this issue some of the most influential critics in the field encounter their colleagues in debate: A sad tale's best for South AfricaMartin Orkin;Shakespeare and Hanekom, King Lear and landNicholas Visser;Questioning Robert Young's post-colonial criticismLaura Chrisman;Response to Laura ChrismanRobert Young;Making love to our employment, or the immateriality of arguments about the materiality of the Shakespearean textEdward Pechter;Lover among the ruins: response to PechterMargreta de Grazia and Peter Stallybrass;Busy doing nothing: a response to Edward PechterGraham Holderness, Bryan Loughrey and Andrew Murphey;'Is she fact or is she fiction?': Angela Carter and the enigma of womanAnne Fernihough;The new romanticism: philosophical stand-ins in English Romantic discoursePaul Hamilton
