You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
DIVArgues that the rise to power of quasi-nationalist demagogues in many post-communist countries is the result of "organized forgetting" orchestrated by communist regimes that left these countries with little common history./div
This book examines the role of nationalism in post-communist development in central Europe, focusing in particular on Poland, the Czech Republic and Slovakia.
This book considers Russian, Czech and Slovak fiction in the late communist and early post-communist periods. It focuses on the most innovative trend to emerge in this period, on those writers who, during and after the collapse of communism, characterised themselves as 'liberators' of literature. It shows how these writers in their fiction and critical work reacted against the politicisation of literature by Marxist-Leninist and dissident ideologues, rejecting the conventional perception of literature as moral teacher, and redefining the nature and purpose of writing. The book demonstrates how this quest, enacted in the works of these writers, served for many critics and readers as a metaphor for the wider disorientation and crisis precipitated by the collapse of communism.
The literary scholar Alfrun Kliems explores the aesthetic strategies of Eastern European underground literature, art, film and music in the decades before and after the fall of communism, ranging from the ‘father’ of Prague Underground, Egon Bondy, to the neo-Dada Club of Polish Losers in Berlin. The works she considers are "underground" in the sense that they were produced illegally, or were received as subversive after the regimes had fallen. Her study challenges common notions of ‘underground’ as an umbrella term for nonconformism. Rather, it depicts it as a sociopoetic reflection of modernity, intimately linked to urban settings, with tropes and aesthetic procedures related to Su...
This book considers Russian, Czech and Slovak fiction in the late communist and early post-communist periods, focusing on the most innovative trend in this period, on those writers who characterised themselves as 'liberators' of literature.
In this social and cultural history of Czechoslovakia's "gentle revolution," James Krapfl shifts the focus away from elites to ordinary citizens who endeavored—from the outbreak of revolution in 1989 to the demise of the Czechoslovak federation in 1992—to establish a new, democratic political culture. Unique in its balanced coverage of developments in both Czech and Slovak lands, including the Hungarian minority of southern Slovakia, this book looks beyond Prague and Bratislava to collective action in small towns, provincial factories, and collective farms.Through his broad and deep analysis of workers' declarations, student bulletins, newspapers, film footage, and the proceedings of loc...
The 2009 CIA World Factbook is a collection of world-related facts from 2009. The CIA is a civilian foreign information service of the U.S. Government, tasked with collecting, managing and examining national security info from around the world, principally through the use of human intelligence.
To survive Totalitarianism and retain their humanity, Czech women writers went underground to write, paint, sculpt, and create supportive communities. This book explores fiction, poetry, and life-sustaining activities of Eva Švankmajerová, “Mother of Czech Surrealism,” and Eda Kriseová, journalist, fiction writer, essayist, and activist who served in President Václav Havel’s first Cabinet, among other Czech women who wrote and engaged in dissent during the years when Czechoslovakia ached under Soviet rule. Women’s Artistic Dissent: Repelling Totalitarianism in pre-1989 Czechoslovakia highlights and unearths the work of women that is often undervalued and unacknowledged. Flanagan and Waisserová carefully detail the variety of ways in which women resisted through literature and ecological activities, shedding new light on the ways in which individuals and communities can retain their humanity even as they resist and repel dictatorial regimes in their countries.
Worlds of Dissent analyzes the myths of Central European resistance popularized by Western journalists and historians, and replaces them with a picture of the struggle against state repression as the dissidents themselves understood, debated, and lived it. In the late 1970s, when Czech intellectuals, writers, and artists drafted Charter 77 and called on their government to respect human rights, they hesitated to name themselves "dissidents." Their personal and political experiences--diverse, uncertain, nameless--have been obscured by victory narratives that portray them as larger-than-life heroes who defeated Communism in Czechoslovakia. Jonathan Bolton draws on diaries, letters, personal es...