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This book brings together contributions from anthropologists and folklorists on werewolf legends from all over Europe. Ranging from broad overviews to specific case studies, their chapters highlight the similarities and differences between werewolf narratives in different areas and attempt to explain them. The result of interaction between elite and popular culture, local and external influences, and nature and culture that lasted several centuries or even more, nineteenth- to twenty-first-century werewolf legends represent a kaleidoscope of the darker sides of human life.
This book considers the production of collective identity in Venice (Christian, civic-minded, anti-tyrannical), which turned on distinctions drawn in various fields of representation from painting, sculpture, print, and performance to classified correspondence. Dismemberment and decapitation bore a heavy burden in this regard, given as indices of an arbitrary violence ascribed to Venice’s long-time adversary, “the infidel Turk.” The book also addresses the recuperation of violence in Venetian discourse about maintaining civic order and waging crusade. Finally, it examines mobile populations operating in the porous limits between Venetian Dalmatia and Ottoman Bosnia and the distinctions they disrupted between “Venetian” and “Turk” until their settlement on farmland of the Venetian state. This occurred in the eighteenth century with the closing of the borderlands, thresholds of difference against which early modern “Venetian-ness” was repeatedly measured and affirmed.
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Using an interdisciplinary approach, this book brings together work in the fields of History, Literary Studies, Music and Architecture to examine the place of folklore and representations of ‘the people’ in the development of nations across Europe during the nineteenth century.
Anthropological Abstracts (AA) is a reference journal published once a year in print, but also under www.anthropology-online.de and announces - in English language - most publications in the field of cultural/social anthropology published in the German language area (Austria, Germany, Switzerland). Since many of these publications have been written in German, and most German publications are not included in the major English language abstracting services, Anthropological Abstracts offers a convenient source of information for anthropologists and social scientists in general who do not read German, to become aware of anthropological research and publications in German-speaking countries. Included are journal articles, monographs, anthologies, exhibition catalogs, yearbooks, etc. Most abstracts are authored by the editor, others are specified accordingly. This journal is edited by Ulrich Oberdiek since 1993 (formerly: Abstracts in German Anthropology; since 2002: Anthropological Abstract
The title of this book ‘When the Cemetery Becomes Political’ implies the question: How can the cemetery – a place for the dead – become a space that develops a political dynamic? Scholars from different countries explored such dynamics further in three conferences – one held in Münster/Germany (2017) and the other two in Nicosia/Cyprus (2018/2019). Ten of the papers presented at these conferences are compiled in this volume. They investigate how religious heritage is dealt with in multi-ethnic/religious countries like Bosnia-Herzegovina, Cyprus and Lebanon; one of the papers focuses on the fate of Thessaloniki’s huge Jewish cemetery destructed during the German occupation of Gre...
The volume contains selected contributions to the Max Weber Foundation’s annual conference, organised by the German Historical Institute Moscow. The contributors look at the crisis-ridden processes of modernity through the prism of individual biographies, which manifest themselves in national and social, anti-imperial and de-colonial, global, and regional movements. The contributions cover the Russian, Habsburg, and Ottoman Empires, Germany, Italy, the USA, France, the Soviet Union, Iran, Poland, Turkey, and Africa. They focus on transnational and trans-imperial life paths, networks and the imprints of the actors as well as forms of (auto)biographical self-constitution and the political use of biographical narratives.
This volume critically investigates how art historians writing about Central and Eastern Europe in the late nineteenth and early twentieth centuries engaged with periodization. At the heart of much of their writing lay the ideological project of nation-building. Hence discourses around periodization – such as the mythicizing of certain periods, the invention of historical continuity and the assertion of national specificity – contributed strongly to identity construction. Central to the book’s approach is a transnational exploration of how the art histories of the region not only interacted with established Western periodizations but also resonated and ‘entangled’ with each other. ...
A comprehensive analysis of how the Yugoslav successor states have coped with the challenges of building democracy since 1990.
This book consisting of 21 articles is the result of three different symposia held in Zadar (2013), Moscow (2014) and Strasbourg (2016) with focus on two major topics: Glottogenesis and Conflicts in Europe and Safeguarding and protection of European lesser-used languages as formulated in the 1992 EU-Charter. PART I: Univ. of Zadar GLOTTOGENESIS ON THE EUROPEAN CONTINENT: General Introduction (Ureland), Hamel: From the Ice Age to modern languages SOUTHERN EUROPE: Genesis of French (Schmitt), Italian (Agresti, Begioni) and Spanish (Lüdtke) SOUTH-EASTERN EUROPE: Genesis of Croatian (Socanac, Granic, Skelin Horvat/Simicic; Skevin/Markovic; Bulgarian (Choparinova) EASTERN EUROPE: Genesis of Russ...