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Peter Blake is one of the most influential and original artists working in Britain today, with a career than spans six decades. His fascination with the heroes of popular music, sport and film made him a vital contributor to the emergence of Pop art in Britain. He continues to produce work in a diverse range of media, including painting, collage, sculpture, assemblage, printmaking and illustration.
Now in paperback, this lavishly illustrated and extensively researched book is a major contribution to a wider understanding of Arts and Crafts and an invaluable visual record of an ever-popular era of design. Leading scholars explore the varied characteristics of the regional, national and international manifestations of Arts and Crafts, looking at the work of many of the movement's leading designers. Additional material on photography, architecture and gardens, and the inclusion of painting and sculpture as integral to the movement, as well as the focus on its later emergence in Japan, all contribute to enriching our understanding and appreciation of Arts and Crafts.
Design is an excellent introduction to the work of two major British designers and artists, Edward Bawden (1903-1989) and Eric Ravilious (1903-1942). Featuring some previously unpublished images, this book presents, in over 100 illustrations, every aspect of their creativity, including advertising, designs for wallpapers, posters, book jackets, trade cards and ceramics. Bawden and Ravilious met in the Design School of the Royal College of Art in 1922, members of a generation of students described by Paul Nash, one of their tutors, as belonging to 'an outbreak of talent'. Their shared interests in illustration led to experiments in print making. Bawden's early attempts at lino-cutting developed into a skill that he used until the end of his life. Ravilious quickly developed into one of the most renowned wood engravers of the twentieth century.
A SUNDAY TIMES BOOK OF THE YEAR The ten years leading up to the First World War were the most exciting, frenzied and revolutionary in the history of art. They were the crucible of Modernism, when Fauvism, Expressionism, Cubism, Futurism and Abstract Art all burst forth. Simultaneously the Old Master market boomed, and art itself was politically weaponised in advance of approaching war. What was the conventional art against which Modernism was rebelling? Why did avant-garde artists become so obsessed with themselves? What persuaded a few bold collectors to buy difficult modern art? And why did others pay so much money for Old Masters? Art expert Philip Hook brings to bear a unique perspective on the art of a unique and extreme decade.
From Art galleries, Bowler hats, and Cockneys to Weather, Umbrellas, and Zebra crossings, an alphabetical, pocket-sized tour through 1950s London First published in 1953, the year that saw thousands descend on London to watch the coronation of Queen Elizabeth II, London A to Z is a lexicon of the city’s curiosities, from the Achilles statue in Hyde Park “erected by the women of England to honor (if not to resemble) the Duke of Wellington,” via greyhound racing, lost property offices, and umbrellas, to zebra crossings (relative newcomers to London in 1953). Adorned throughout with Edward Bawden’s beautiful and distinctive illustrations, this charmingly idiosyncratic guide brings to life with a dry humor the London and Londoners of the day. More than sixty years have passed since the volume was first published and while many sights are now lost to time, readers may be surprised to find how this vintage guide continues to capture London’s quirks. A new introduction places the original publication in context, drawing the reader into 1950s London via a brief tour of the book’s most curious, nostalgic, and whimsical entries.
Dear Master is a rare firsthand look at the values, self-perception, and private life of the black American slave. The fullest known record left by an American slave family, this collection of more than two hundred letters -- including seven discovered since the book's original appearance -- reveals the relationship of two generations of the Skipwith family with the Virginia planter John Hartwell Cocke. - Back cover.
The finest books produced prior to the outbreak of the Great War were almost invariably printed by the private presses, but in the post-war years the accolade of excellence passed into the hands of firms such as Curwen Press. This book profiles the work of one of the printing industry's great pioneers