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She's Not Coming Home
Every morning at 8:30 Ruth Gibbons kisses her husband and son goodbye, and sets off for work. Every evening at 5pm, she finishes work, texts 'leaving now' to her husband Matthew, and begins her walk home. Every night at 5:40 she arrives home, kisses her husband and son, and has dinner with her family. Except tonight. Matthew thought he had a pretty normal life. A nice home, a happy marriage, a beautiful son, and a job he enjoys. Then it all changed. He informs the police that Ruth has not returned home, but decides to search for her himself as well. His first call is to her place of work, where to his disbelief nobody has heard of her. He begins to look further, and what he finds causes him to doubt everything he thought he knew about his wife, and to question his own sanity...
Wrong Time to Die
'I don't think I've ever seen so much blood.' Los Angeles, California When LAPD Detective Sam Leroy is called to a murder scene, even he is taken aback by the ferocity and savagery of the crime. Furthermore, there seems to be no motive, which means no obvious suspects. Believing the two victims themselves hold the key to their own murder, Leroy begins his investigations there, and before long the trail leads him to the island of Catalina, where a terrible secret has remained undiscovered for almost thirty years...
Philip Cox
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Philip Cox
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Cox Architects
The work of Cox Architects covers a wider ambit than possibly any other practice in Australia. It represents 30 years of architecture, beginning with domestic projects designed at the height of the Sydney School, a movement which perhaps created the only collectively identifiable contemporary architecture yet to emerge in Australia.
Cox Architects and Planners
From its origins as a leading proponent of the 'Sydney School of Architecture' in the 1960s, COX Architects & Planners, known more commonly as COX, has grown to become one of Australia's largest and most successful practices with hundreds of projects and
An Australian Garden
The far south coast of New South Wales is a magical place, with remote coastlines, sheltered lagoons and pristine hinterland meeting mountain ranges. It was also once an area partly depleted by logging and long-term agricultural use. Some forty years ago, renowned architect Philip Cox and a group of like-minded friends purchased 80 hectares as a private retreat and a conservation exercise. Applying his own aesthetic principles of vista, light, texture, colour and mass, Philip worked with nature to reveal and enhance the bushland in an enticing way. He replanted trees in denuded areas, cleared scrubby undergrowth in others and added lakes and ponds. Carefully, he curated extensive walks through bush and gullies, along the coast and river, offering wondrous experiences. These walks are punctuated with drama and romance as you enter various garden rooms and encounter sculptures, waterlily-adorned lakes, ponds and art-filled pavilions. As the world becomes more global, maintaining indigenous Australian landscapes and gardens becomes important. This book captures a unique vision of a wild landscape and gives new meaning to the concept of creating an Australian garden.
