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Theology and the University
This book explores the relationship between theology and the modern university. Most of the essays were written specifically for this volume, and all of them are published here for the first time. David Ray Griffin, Gordon Kaufman, Hans Küng, Schubert Ogden, and Wolfhart Pannenberg address the question of whether theology belongs in the university at all. Essays by Joseph Hough, Catherine Keller, and Marjorie Suchoki argue that theology has a vital role in helping the university recover its central mission, that of educating for the sake of the common good. Thomas Altizer, William Beardslee, and Jack Verheyden provide historical analyses of the interactions between theology and the university, with Altizer focusing on the modern divorce between faith and reason, Beardslee on the relevance of the renewed emphasis upon rhetoric, and Verheyden on the ideal of knowledge. As a whole Theology and the University presents an impressive case against the position that theology is inappropriate in the university. It argues not only that theology has a rightful place in the university, but also that the university needs theology, just as theology needs the university.
Empower the People
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God in Postliberal Perspective
Who is God? The variety of images of God tends to overwhelm us in the present age. Is 'God' a fiction of human construction, or a reality that makes claims upon how we practice 'faith in God'? How does this quest for an understanding of 'God' illumine who 'we' are? God in Postliberal Perspective presents an introduction to the doctrine and concept of God in contemporary philosophy and theology, exploring how some theologians and philosophers dare to speak of God as "real" in our sceptical, pluralistic, and interfaith age. Robert Cathey tours the "house of realism" as constructed by postliberal Christians (David Burrell, William Placher, Bruce Marshall), in conversation with living communities of faith and critical work in philosophy and theology, and develops a distinctive argument about the relation of realism and non-realism in constructing the doctrine of God in postliberal theology. Offering a reading of postliberal theology which is open to critical discussion with other types of theology, philosophy, and faith traditions, this book proposes a model of theological reflection that may be extended to the reality-claims of a wide range of doctrines and concepts.
The God of Jesus
This book is the result of the author's involvement with the Jesus Seminar. The premise is that the quest for the historical Jesus has always been closely related to the Christian search for God, and that this is both good and necessary, provided that one properly understands the relationship between history and theology and does not confuse the two.Patterson develops s theology that might properly be called a "Jesus Theology" and it is here that his contribution to the discussions of and about Jesus makes it a most distinctive contribution.
Love Without Pretense
Revision of the author's thesis--University of Chicago, 1990.
Whiteheadian Ethics
For deliberations on the ethical and meta-ethical implications of Alfred North Whitehead’s process philosophy, here are abstracts and papers from the Ethics Section of the 6th International Whitehead Conference held at the University of Salzburg in Salzburg, Austria in July 2006. In accordance with the conference schedule, there are three subsections. The subsection on “Metaphysics of Morals and Moral Theory” includes contributions from Franklin I. Gamwell ("Does Morality Presuppose God?"), John W. Lango (abstract only), Duane Voskuil (“Ethics' Dipolar Necessities and Theistic Implications"), and Theodore Walker Jr. (“Neoclassical Cosmology and Matthew 22:36-40"). The subsection on...
Rudolf Bultmann
Rudolf Bultmann is one of the most widely known but least read theologians of the twentieth century. He is famous as the one who "demythologized" the New Testament, but very few understand what he meant by this or how his hermeneutical program connects to the other areas of his theological project. Bultmann presents a unique challenge to readers, not only because of his radical theological inquiry but also because of the way his ideas are worked out over time, primarily through short, occasional writings that present complex issues in a disarmingly straightforward manner. In this introduction to his theology--the first of its kind in more than twenty years--David W. Congdon guides readers through ten central themes in Bultmann's theology, ranging from eschatology and dialectic to freedom and advent. By gaining an understanding of these themes, students of Bultmann will have the necessary tools to understand and profit from his writings. The result is not only an accessible guide for those encountering Bultmann for the first time but also a cohesive, systematic presentation of his thought for those wondering how his work might speak to our current context.
To Preach the Truth
But will it preach? The only good answer to this question often asked about a Christian theology is to preach it, which is to say, to preach according to it, to what it indicates, reflectively and critically, valid Christian preaching ought to be. This volume of selected sermons and homilies documents a career-long attempt to do exactly that. Concerned at once to be faithful to the Christian witness and to speak intelligibly and credibly to women and men here and now, it represents the way of preaching, and so directly calling for a Christian commitment, that is of a piece with the distinctive way of doing Christian theology set forth and argued for in Schubert Ogden's other books and articles. This is why each sermon or homily seeks so to interpret its scriptural text as to bring out its existential meaning for understanding ourselves and leading our lives as human beings today. It is also why each of them, in its way, directly puts the question of decision raised by Christian faith. Thus, together with its companion volume, To Teach the Truth, this book offers a model for bearing witness to the truth as Christians understand it.
The Making of American Liberal Theology
In this first of three volumes, Dorrien identifies the indigenous roots of American liberal theology and demonstrates a wider, longer-running tradition than has been thought. The tradition took shape in the nineteenth century, motivated by a desire to map a modernist "third way" between orthodoxy and rationalistic deism/atheism. It is defined by its openness to modern intellectual inquiry; its commitment to the authority of individual reason and experience; its conception of Christianity as an ethical way of life; and its commitment to make Christianity credible and socially relevant to modern people. Dorrien takes a narrative approach and provides a biographical reading of important religious thinkers of the time, including William E. Channing, Ralph Waldo Emerson, Horace Bushnell, Henry Ward Beecher, Elizabeth Cady Stanton, and Charles Briggs. Dorrien notes that, although liberal theology moved into elite academic institutions, its conceptual foundations were laid in the pulpit rather than the classroom.
Pedro Calderón de la Barca and the World Theatre in Early Modern Europe
Rasmus Vangshardt offers an original interpretation of one of the most famous images of literary history, the theatrum mundi. By applying methods of comparative literature, hispanic studies, and theology, he reconsiders the world theatre’s historical peak in early modern Europe in general and the Spanish Golden Age in particular. The author presents a new close reading of Pedro Calderón’s El gran teatro del mundo (c. 1633–36) and outlines the historical and systematic framework for a theatrum mundi of celebration. This concept entails using art to justify human existence in the face of changing conceptions of the cosmos: an early modern aesthetic theodicy and a justification of the world in that liminal space between drama and ritual. By discussing historiographical theories of early modern Europe, especially those of Hans Blumenberg and Bruno Latour, and through conversations with Shakespearean drama and Spanish Golden Age classics, Vangshardt also argues that the theatrum mundi of celebration questions traditional assumptions of great divides between the Middle Ages and Early Modernity and challenges theories of a European-wide early modern sense of crisis.
