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Any listener knows the power of music to define a place, but few can describe the how or why of this phenomenon. In Lonesome Roads and Streets of Dreams: Place, Mobility, and Race in Jazz of the 1930s and ’40s, Andrew Berish attempts to right this wrong, showcasing how American jazz defined a culture particularly preoccupied with place. By analyzing both the performances and cultural context of leading jazz figures, including the many famous venues where they played, Berish bridges two dominant scholarly approaches to the genre, offering not only a new reading of swing era jazz but an entirely new framework for musical analysis in general, one that examines how the geographical realities o...
Joseph F. Lamb (1887-1960) composed with enthusiasm and was influenced by a variety of sources, all kinds of music, cultures, traditions and the everyday. Although he is considered one of classic ragtime's "big three"--along with Scott Joplin and James Scott--he did not fit the usual profile. He was musically self-taught, held a corporate job, and composed in his spare time, yet wrote piano rags Joplin enthusiastically championed and returned to composing and well-deserved recognition long after the end of the ragtime era. This biography focuses on his music and his world, and is drawn from family and research sources. It includes a foreword by two of Lamb's children.
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The Morris Canal was not the longest canal in the world, but it did have one superlative to its credit--it climbed higher than any other canal ever built. In its time it was world famous, visited by tourists and technical people from as far away as Europe and Asia. For nearly 100 years it crossed the hills of northern New Jersey, accomplishing that feat with 23 lift locks and 23 inclined planes. From Lake Hopatcong, the canal ran westward through the Musconetcong valley to Phillipsburg, on the Delaware River, and eastward through the valleys of the Rockaway and Passaic rivers to tidewater at Newark and Jersey City--a little over 100 miles horizontally and a total rise and fall of nearly 1,700 feet vertically. The Morris Canal, once an important soldier in the American Industrial Revolution, has been gone for most of the twentieth century, but its memory lives on in the many photographs, postcards, and other memorabilia that its unique presence inspired.
Montclair, New Jersey, like most American towns, has grown dramatically over the course of the last one hundred years. Much of the early 1900s landscape has been disguised, and the town has come to reflect the popular styles and fashions of changing eras. Streets have been paved, the facades of commercial buildings have been updated, and homes have been altered to reflect contemporary tastes and accommodate modern conveniences. This volume of approximately two hundred postcards from the author's collection, most never before published in book form, captures Montclair as it was in the early twentieth century. The reader will see familiar landmarks such as the Montclair Art Museum, the Marlboro Inn, and the Bellevue Theater as they originally appeared, and discover the vanished predecessors of the Japanese-style mansion on Upper Mountain Avenue and the Rockcliffe Apartments off Crestmont Road.
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