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Bel Canto Bully
Unscrupulous, devilishly ambitious and undeniably charismatic, Domenico Barbaja was the most celebrated Italian impresario of the early 1800s and one of the most intriguing characters to dominate the operatic empire of the period. Dubbed the "Viceroy of Naples", Barbaja managed both the Teatro di San Carlo in Naples and La Scala in Milan. He was the influential force behind the careers of a plethora of artists including Vincenzo Bellini, Gioachino Rossini and the great mezzo-soprano Isabella Colbran, who became Barbaja's lover before eventually deserting him to marry Rossini. Most vitally, Barbaja's vision had an irrevocable impact on the history of Italian opera; determined to create a lucr...
Italian Opera in Global and Transnational Perspective
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
The Descendants of Johann Peter Klinger and Catharina Steinbruch
Johann Peter Klinger was born 3 November 1773 in Reading, Pennsylvania. His parents were Johann Philip Klinger (1723-1811) and Eva Elisabeth Beilstein (1730-ca. 1815). He married Catharina Steinbruch, daughter of Adam Steinbrecher and Anna Margaretha Hoffman, in about 1791 in Lykens Township, Dauphin County, Pennsylvania. They had eleven children. Ancestors, descendants and relatives lived mainly in Germany, Pennsylvania and Indiana.
The Definitive Job Book
There are few books available which cover the full job-searching, application, interview and negotiation process. The Definitive Job Book is just that – it covers every single aspect of job-hunting in seven chapters. Each chapter includes 'advice from the inside' interviews with HR and recruitment specialists and 'I've been there too' interviews with people who have successfully navigated the recruitment minefield. The Definitive Job Book Is an essential reference for anyone - from graduates starting out, to senior executives seeking a change - to the job-hunting process. You will need only THIS book to get the job of your dreams.
The Divine Claudia
“Muzio was a case apart: you cannot classify her, for in the end you have been so emotionally destroyed by her performance, you did not even know anymore what kind of instrument she had”. So spoke Lucrezia Bori, the beloved soprano of the Metropolitan Opera. Bori was echoing the opinion of many of Claudia Muzio’s contemporaries and successors such as Eva Turner, Rosa Ponselle, and Mafalda Favero who wrote:“Actually,” she [Favero] admitted with her total candor, “it took me a long time to find my own interpretation [La traviata], for I was haunted by Claudia Muzio in this role. When she sang it at the Colon in Buenos Aires in 1933, I went to each rehearsal, worshiping her, and it ...
Asiamoney
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Domenico Barbaja
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The Neapolitan Canzone in the Early Nineteenth Century as Cultivated in the Passatempi musicali of Guillaume Cottrau
This collection examines the history of the Canzona Napoletana and its emergence as a leading genre of popular music in the early nineteenth century. Featuring original research by leading scholars in the fields of ethnomusicology, historical musicology, and theater, this is the first collection of essays in the English language to address the topic.
The Five Continents of Theatre
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part.
Opera
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