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Paul Cadmus, Yesterday & Today
Produced in conjunction with the retrospective organized by Miami University Art Museum which opened September 12, 1981. The book includes a biography of the artist along with a discussion of his work, images of 119 paintings included in the exhibition (14 in full color), the artist's "Credo", and a chronology of Cadmus' career.
Adolf Dehn's Manhattan
*A major monograph on this prolific artist and his love for Manhattan, featuring a never-before-seen presentation of paintings, prints, and drawings*This book is for lovers of New York city and beyond, celebrating its golden age with a fresh, new appreciation for its urban design, parks, and the eternal romance of artAdolf Dehn (1895-1968), an American lithographer and watercolorist, left his hometown in Minnesota after formal training at the Minneapolis Art Institute to study at the Art Students League in New York. In the early 1920s, he traveled to the cosmopolitan cities of Paris, Vienna, and Berlin, where he focused on lithography and printmaking, and soon found success as a magazine ill...
Robert Cottingham
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The Transatlantic Gaze
Tracks the influence of Italian cinema on American film from the postwar period to the present. In The Transatlantic Gaze, Mary Ann McDonald Carolan documents the sustained and profound artistic impact of Italian directors, actors, and screenwriters on American film. Working across a variety of genres, including neorealism, comedy, the Western, and the art film, Carolan explores how and why American directors from Woody Allen to Quentin Tarantino have adapted certain Italian trademark techniques and motifs. Allens To Rome with Love (2012), for example, is an homage to the genius of Italian filmmakers, and to Federico Fellini in particular, whose Lo sceicco bianco/The White Sheik (1952) als...
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
Love's Next Meeting
How queerness and radical politics intersected—earlier than you thought. Well before Stonewall, a broad cross section of sexual dissidents took advantage of their space on the margins of American society to throw themselves into leftist campaigns. Sensitive already to sexual marginalization, they also saw how class inequality was exacerbated by the Great Depression, witnessing the terrible bread lines and bread riots of the era. They participated in radical labor organizing, sympathized like many with the early prewar Soviet Union, contributed to the Republicans in the Spanish Civil War, opposed US police and state harassment, fought racial discrimination, and aligned themselves with the d...
The Young and Evil
Lauded by Jerry Saltz as “one of the most reactionary yet radical visions of art,” The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting. These artists—including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle—were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body...
Robert Vickrey
Robert Vickrey's unique vision and meticulous, painstaking technique have sustained him throughout a sixty-year career. He is widely considered to be a living master of using egg tempera, the same labor-intensive medium used by Renaissance painters, including Giotto and Cennini. But Vickrey's concerns are distinctly twentieth-century in the subjects and themes he has chosen, from childhood innocence to the dichotomy of urban versus country living. "A quintessential Realist, Vickrey endeavoured to explore the human condition within a distinctively American environment," writes author Philip Eliasoph, whose essay argues that Vickrey's work builds a bridge from Surrealism and New Objectivity to...
Colleen Browning
Colleen Browning (1929 - 2003) was a pivotal realist painter and of the few women to achieve national recognition for a genre dominated primarily by men. Since childhood, Browning had the desire to be a painter. She attended London's Slade School of Art from 1946-1948, and had her first solo exhibition at London's Little Gallery when she was 20 years old. She moved to America in 1949 from Ireland, and felt immediately at home in New York City; making it her home for the next five decades. A major figure in the realist movement during the 1950s, she drew on the inspiration and direction she received from the already established realist artists Joseph Hirsch, Ben Shahn, and George Tooker. Brow...
From Christian Science to Jewish Science
During the late nineteenth and early twentieth centuries, thousands of American Jews were drawn to the teachings of Christian Science. Viewing such attraction with alarm, American Reform Rabbis sought to counter Christian Science's appeal by formulating a Jewish vision of happiness and health. Unlike Christian Science, it acknowledged the benefits of modern medicine yet, sharing the belief in God as the true source of healing, similarly emphasized the power of visualization and affirmative prayer. Though the numbers of those formally affiliated with Jewish would remain small, its emphasis on the connection between mind and body influenced scores of rabbis and thousands if not hundreds of thousands of American Jews, predating contemporary Jewish interest in spiritual healing by more than seventy years. Examining an important and previously unwritten chapter in the story of American Judaism, this book sheds light on religious and social concerns of twentieth-century American Jewry, including ways in which adherence to Jewish Science helped thousands bridge the perceived gap between Judaism and modernity.
