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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800
Those featured in Volume 10 include Margaret Martyr, a singer, actress, and dancer whose "conjugal virtues were often impeached," according to the July 1792Thespian Magazine. The Dictionary describes this least constant of lovers as "of middling height, with a figure well-proportioned for breeches parts. [Her] black-haired, black-eyed beauty and clear soprano made her an immediate popular success in merry maids and tuneful minxes, the piquant and the pert, for a quarter century."
Skull Beneath the Skin
Webster was much possessed by death And saw the skull beneath the skin; And breastless creatures under ground Leaned backward with a lipless grin. These lines from T. S. Eliot’s "Whispers of Immortality” provide Charles R. Forker with the title for the most substantial and detailed examination of John Webster to date; they also identify a major theme--the love-death nexus in Renaissance drama and its special relevance to Webster. Forker summarizes what is known about Webster’s life and analyzes in detail not only the major plays but also the lesser ones. He examines The White Devil, The Duchess of Malfi, and The Devil’s Law-Case in context with the minor and collaborative works, tracing themes, stylistic features, and ideas through the entire Webster canon. One reviewer of the manuscript notes that "Forker is surely unrivalled as an authority on matters Websterian. His book treats Webster with an unhurried fullness and richness rarely accorded even to Shakespeare.” Another calls the book "Splendid. Readable and engaging.”
The Island Race
Rooted in a period of vigorous exploration and colonialism, The Island Race: Englishness, empire and gender in the eighteenth century is an innovative study of the issues of nation, gender and identity. Wilson bases her analysis on a wide range of case studies drawn both from Britain and across the Atlantic and Pacific worlds. Creating a colourful and original colonial landscape, she considers topics such as: * sodomy * theatre * masculinity * the symbolism of Britannia * the role of women in war. Wilson shows the far-reaching implications that colonial power and expansion had upon the English people's sense of self, and argues that the vaunted singularity of English culture was in fact constituted by the bodies, practices and exchanges of peoples across the globe. Theoretically rigorous and highly readable, The Island Race will become a seminal text for understanding the pressing issues that it confronts.
Roles of Authority
Shows the ways in which emerging public figures entered in other discourses of authority during the eighteenth century.
Women Making Music
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
English Theatrical Anecdotes, 1660-1800
The essays in English Theatrical Anecdotes, 1660-1800 explore the theatrical anecdote’s role in the construction of stage fame in England’s emergent celebrity culture during the long eighteenth century, as well as the challenges of employing such anecdotes in theatre scholarship today. This collection showcases scholarship that complicates the theatrical anecdote and shows its many sides and applications beyond the expected comic punch. Discussing anecdotal narratives about theatre people as producing, maintaining, and sometimes toppling individual fame, this book crucially investigates a key mechanism of celebrity in the long eighteenth century that reaches into the nineteenth century and beyond. The anecdote erases boundaries between public and private and fictionalizing the individual in ways deeply familiar to twenty-first century celebrity culture.
Lives of Shakespearian Actors, Part I, Volume 3
Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
The Works of John Dryden, Volume XI
Volume XI contains three of Dryden's Plays, along with accompanying scholarly appartus: The Conquest of Granada, Marriage A-la-Mode, and The Assignation.
The Plays of David Garrick
David Garrick's accomplishments as an actor, manager, and theatrical innovator brought him great fame and fortune, and his ideas influenced not only his own age but succeeding ages as well. Yet as a playwright, a part of the elegant combination of talents that was David Garrick, he has never achieved the critical reputation he richly deserves, in main because of the unavailability of texts and the lack of proper assessment of the historic importance of his plays in the English theatre. This first complete edition makes available to scholars and students all the plays of Garrick in well edited texts, with commentary and notes. The two volumes of Garrick's own plays published together here i...
The Court Journals and Letters of Frances Burney
The second of six volumes that will present in their entirety Frances Burney's journals and letters from July 1786, when she assumed the position of Keeper of the Robes to Queen Charlotte, to her resignation in July 1791. This volume reveals Burney's struggles to adjust to the customs and trials of a life of service in the Court of George III.
