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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. The pub is an English institution. Yet its history has been obscured by myth and nostalgia. In this unique book, Philip Howell takes the public house as an object, or rather as a series of objects: he takes the pub apart and examines its constituent elements, from pub signs to the bar staff to the calling of “time.” But Pub also explores the hidden features of the pub, such as corporate control, cultural acceptance and exclusion, and the role of the pub in communities.
Although the British consider themselves a nation of dog lovers, what we have come to know as the modern dog came into existence only after a profound, and relatively recent, transformation in that country’s social attitudes and practices. In At Home and Astray, Philip Howell focuses on Victorian Britain, and especially London, to show how the dog’s changing place in society was the subject of intense debate and depended on a fascinating combination of forces even to come about. Despite a relationship with humans going back thousands of years, the dog only became fully domesticated and installed at the heart of the middle-class home in the nineteenth century. Dog breeding and showing pro...
In the nineteenth century British authorities at home and abroad attempted to regulate prostitution in order to combat the spread of venereal diseases. Philip Howell examines in detail four sites of such regulated prostitution - Liverpool, Cambridge, Gibraltar and Hong Kong - and considers the similarities as well as the differences between colonial and metropolitan practices. Placing these sites within their local, regional and global contexts, the author argues that the British administration of commercial sexuality was deeper and more extensive than conventionally portrayed. The book challenges our understanding of what constitutes colonial regulation and also confronts imperial historiographies in which projects are simply translated from metropolis to periphery. By emphasizing both particular sites of regulated prostitution, and their place in the British imperial world, this book contributes not only to histories of gender and sexuality, but also to the revision of British imperial history.
Hello reader! In this book is a world. A world created by two awkward guys who share their lives on the internet! We are Dan and Phil and we invite you on a journey inside our minds! From the stories of our actual births, to exploring Phil’s teenage diary and all the reasons why Dan’s a fail. Learn how to draw the perfect cat whiskers, get advice on how to make YouTube videos and discover which of our dining chairs represents you emotionally. With everything from what we text each other, to the time we met One Direction and what really happened in Vegas... This is The Amazing Book Is Not On Fire!
Dan Howell and Phil Lester, avoiders of human contact and direct sunlight, actually went outside. Travelling around the world on tour, they have collected hundreds of exclusive, intimate and funny photos, as well as revealing and captivating side notes, to show the behind-the-scenes story of their adventure.
The First World War and subsequent peace settlement shaped the course of the twentieth century, and the profound significance of these events were not lost on Harold Temperley, whose diaries are presented here. An established scholar, and later one of Britain’s foremost modern and diplomatic historians, Temperley enlisted in the army at the outbreak of the war in August 1914. Invalided home from the Dardanelles campaign in 1915, he spent the remainder of the war and its aftermath as a general staff officer in military intelligence. Here he played a significant role in preparing British strategy for the eventual peace conference and in finalising several post-war boundaries in Eastern Europ...
This study concentrates on the discourses around animal death in arts and the ways they changed over time. Chapter topics span from religious symbolism to natural history cabinets, from hunting laws to animal rights, from economic history to formalist views on art. In other words, the book asks why artists have represented animal death in visual culture, maintaining that the practice has, through the whole era, been a crucial part of the understanding of our relation to the world and our identity as humans. This is the first truly integrative book-length examination of the depiction of dead animals in Western art. The book will be of interest to scholars working in art history, animal studies, and cultural history.
Reprint of the original, first published in 1916.