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Winner of the 2008 Prix de la Traduction Littéraire presented by French Community of Belgium The second of Maeterlinck's four celebrated nature essays—along with those on the life of the bee, ant, and termite—"The Intelligence of Flowers" (1907) represents his impassioned attempt to popularize scientific knowledge for an international audience. Writing with characteristic eloquence, Maeterlinck asserts that flowers possess the power of thought without knowledge, a capacity that constitutes a form of intelligence. Appearing one hundred years after the first publication, Philip Mosley's new translation of the original French essay, and the related essay "Scents," maintains the verve of Maeterlinck's prose and renders it accessible to the present-day reader. This is a book for those who are excited by creative encounters between literature and science as well as current debates on the relationship of humankind to the natural world.
A former Deputy Director of the CIA provides a behind-the-scenes look at the American intelligence community, the Reagan administration's secret war against the Sandinistas, the covert operations he conceived, and the battle against world terrorism.
This book is a biographical study of three American statesmen, concentrating on the development of their distinct attitudes and political programs with respect to the problem of Europe in American foreign policy: Roosevelt's partial internationalism, aiming at the retirement of Europe from world politics while avoiding American entanglement; Kennan's partial isolationism, aspiring to restore Europe's centrality and autonomy through temporary American engagement; and Acheson's accommodating interventionism, establishing the United States as a permanent power in Europe at the behest of European and American interests. The purpose of the book is to explain how and why they arrived at very different solutions to the problem of internecine conflict in Europe, and to show the continuing relevance of their ideas. Three learned and elegantly written portraits are set against the background of the dramatic events and foreign policy controversies of the twentieth century.
“Plot”, writes Peter Brooks, “is so basic to our very experience of reading, and indeed to our articulation of experience in general, that criticism has often passed it over in silence…” (Reading for the Plot, xi). Finding the Plot both explores and helps to redress this critical neglect. The book brings together an international group of scholars to address the nature, effects and specific pleasures of consuming stories. If the central focus is on France and popular literary fiction, the book’s scope – like contemporary fiction itself – observes no national frontiers, and extends across a variety of media. The book addresses both the empirical question of which genres and types of text have been and are most “popular”, and the theoretical questions of how plots work, what pleasures they offer to readers, and why it matters that the plot should not be lost.
of those problems in law which we inherit and/or retrieve in order to reconstruct and interpret in the light of legal semiotics, however defined. In addition to three main areas of underlying metaphysical assumptions there are also three main areas of possible editorial focus and these should be mentioned. The three areas of focus are: 1) the state-of-the-art of legal semiotics; 2) the dynamic, intense and exceptionally interactive quality of conference participation, and 3) the content of the papers presented which is the material of this volume. My choice of this triad of focal possibilities is to exclude the last since the papers speak for themselves and need but a brief reportorial capti...
Drawing on psychoanalytic studies of mourning, from Freud and Melanie Klein, to Donald Winnicott and Nicolas Abraham and Maria Torok, Beauty Raises the Dead examines the unique way in which the Decadents defined loss as a precondition to literacy creation."--BOOK JACKET.
Decadence and Modernism in European and Russian Literature and Culture: Aesthetics and Anxiety in the 1890s rewrites the story of early modernist literature and culture by drawing out the tensions underlying its simultaneous engagement with Decadence and Symbolism, the unsustainable combination of this world and the other. With a broadly framed literary and cultural approach, Jonathan Stone examines a shift in perspective that explodes the notion of reality and showcases the uneasy relationship between the tangible and intangible aspects of the surrounding world. Modernism quenches a growing fascination with the ephemeral and that which cannot be seen while also doubling down on the signific...
An authoritative study of this postsecular film movement from the French-Belgian border region that rose to prominence at the turn of the twenty-first century. At the 1999 Cannes Film Festival, two movies from northern-Francophone Europe swept almost all the main awards. Rosetta by the Walloon directors Jean-Pierre and Luc Dardenne won the Golden Palm, and L’humanité by the French director Bruno Dumont won the Grand Prize; both won acting awards as well. Taking this “miracle” of Cannes as the point of departure, Niels Niessenidentifies a transregional film movement in the French-Belgian border region—the Cinéma du Nord or “cinema of the North.” He examines this movement within ...