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The Oxford Handbook of Critical Improvisation Studies
V. 1. Cognitions -- v. 2. Critical theories
New Territories, New Perspectives
"Marking the first study to take the Louisiana Purchase as the focal point for considering development of American religious history, this collection of essays takes up the religious history of the region including perspectives from New Orleans and the Caribbean and the roots of Pentecostalism and Vodou"-- Provided by publisher.
The Politics of Post-9/11 Music: Sound, Trauma, and the Music Industry in the Time of Terror
Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks”U2, Toby Keith, The Dixie Chicks, Bruce Springsteen”this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors add an aural dimension to what has been a visual conceptualization of this important moment in US history by articulating the role that lesser-known contemporary musicians have played”or have refused to play”in constructing a politics of protest in direct response to the trauma inflicted that day. Encouraging new conceptualizations of what constitutes 'political music,' The Politics of Post-9/11 Music covers topics as diverse as the rise of Internet music distribution, Christian punk rock, rap music in the Obama era, and nostalgia for 1960s political activism.
Creole Trombone
The definitive biography of the great band leader and New Orleans Jazz performer
Debating with the Eumenides
Modern Greek national and cultural identities consist, to a considerable extent, of clusters of cultural memory, shaped by an ongoing dialogue with the classical past. Within this dialogue between modern Greece and classical antiquity, Greek tragedy takes pride of place. In this volume, ten scholars from Cyprus, Greece, the United Kingdom and the United States explore the various ways in which Greek tragedy and tragic myth have been reimagined and rewritten in modern Greek drama and poetry. The book’s extensive coverage includes major modern Greek authors, such as Cavafy, Seferis, and Ritsos, as well as less well-known, but equally rich and rewarding, 20th- and 21st-century texts.
The Improvisation Studies Reader
Interdisciplinary approach chimes with current teaching trends Each section opens with specially commissioned thinkpiece from major scholar The first reader to address improvisation from a performance studies perspective
Funky Nassau
“Timothy Rommen has done it again. After the success of his earlier award-winning study of gospel music in Trinidad and the ethics of style, Rommen turns his attention to the complex and conflicted history of music in the Bahamas. Drawing upon extensive ethnographic and historical research, Rommen explores the interrelationships between rake-n-scrape, goombay, and Junkanoo performance, and shows how such ‘local’ musics are implicated in Bahamian understandings of national identity. In Funky Nassau, Timothy Rommen confirms his status as one of the best scholars of Caribbean music today.” —Michael Largey, author of Vodou Nation: Haitian Art Music and Cultural Nationalism "This sensit...
Different Drummers
"Munro argues in an informed and imaginative way that greater attention should be paid to the recurring sonic elements of black cultures in the new world. Different Drummers provides profound insights into the importance of rhythm as a marker of resistance and a dynamic facet of everyday life across Caribbean literatures and in African American music."—J. Michael Dash, New York University "Munro takes us on a fascinating journey through the music of poetry and the poetry of music, beautifully tying together the cultures and literary texts of a range of Caribbean societies."—Laurent Dubois, author of Soccer Empire: The World Cup and the Future of France
Miles Davis: New Research on Miles Davis & His Circle
Masaya Yamaguchi is Japanese-born musician and educator, who lives in the US. This book grew out of research Yamaguchi did on Miles' autobiography, which was written by Quincy Troupe from hours of transcribed interviews with Miles. Yamaguchi obtained 1200 pages of the transcripts and has meticulously and painstakingly researched and checked the contents. He finds various errors and anomalies, and corrects the information with strong evidence. The book is full of images of transcript pages (which include content not seen in the autobiography), letters and memos. There's plenty of stuff about Miles'1980s music, especially on the guitarists Miles used during this era (thelastmiles.com/library_milesdavis_4/).
