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Ovid's Poetics of Illusion
Ovid's poetry is haunted obsessively by a sense both of the living fullness of the texts and of the emptiness of these 'insubstantial pageants'. This major study touches on the whole of Ovid's output, from the Amores to the exile poetry, and is an overarching treatment of illusionism and the textual conjuring of presence in the corpus. Modern critical and theoretical approaches, accompanied by close readings of individual passages, examine the topic from the points of view of poetics and rhetoric, aesthetics, the psychology of desire, philosophy, religion and politics. There are also case studies of the reception of Ovid's poetics of illusion in Renaissance and modern literature and art. The book will interest students and scholars of Latin and later European literatures. All foreign languages are accompanied by translations.
Virgil's Aeneid
This book explores Virgil's poetic and mythical transformation of Roman imperialist ideology. The Romans saw an analogy between the ordered workings of the natural universe and the proper functioning of their own expanding empire; between orbis and urbs. In combining this cosmic imperialism with the military and panegyrical themes proper to epic, Virgil draws on a number of traditions: the notion that the ideal poet is a cosmologer; the use of allegory to extract natural-philosophical truths from mythology and poetry (especially Homer); the poetic use of hyperbole and the 'universal expression'. Virgil's imagination is dominated by the cosmological poem of Lucretius; the Aeneid, like the De Rerum Natura, is a poem about the universe and how man should live in it, but Virgil's constant inversion of Lucretian values makes of him an anti-Lucretius. Recent criticism has tended to stress the pessimistic and private sides of the Aeneid; but any easy conclusion that the poet was at heart anti-Augustan is precluded by the depth and detail with which he develops the imperialist themes discussed in this book.
The Epic Successors of Virgil
A critically sophisticated introduction to the epic tradition of the early Roman empire.
Rumour and Renown
Major study of the literary treatment of rumour and renown across the canon of authors from Homer to Alexander Pope, including readings in historiographical and dramatic texts, and authors such as Petrarch, Chaucer, Spenser, Shakespeare and Milton. Of interest to students of classical and comparative literature and of reception studies.
Selected Papers on Ancient Literature and its Reception
This volume gathers together about two thirds of the articles and essays published between 1983 and 2021 by Philip Hardie, whose work on ancient literature has been of seminal importance in the field. The centre of gravity lies in late Republican and Augustan poetry, in particular Lucretius, Virgil, and Ovid, with important contributions on wider Augustan culture; on Neronian and Flavian epic; on the Latin poetry of late antiquity; and on the reception of Latin poetry.
Classicism and Christianity in Late Antique Latin Poetry
After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the "cosmic sense" of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity.
The Cambridge Companion to Ovid
Ovid was one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture. In this Cambridge Companion, chapters by leading authorities from Europe and North America discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting critical approaches. This Companion is designed both as an accessible handbook for the general reader who wishes to learn about Ovid, and as a series of stimulating essays for students of Latin poetry and of the classical tradition.
Ovidian Transformations
An important collection of essays on Ovid's Metamorphoses and its reception.
Homo Viator
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