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The Law Journal
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Not to This Lady, You Don’T
Emotionally adrift after the traffic accident death of beloved policeman husband Billy Dillon, Martina Lambucci Dillon rebounded into two ill-advised marriages, two affairs, a multi-million dollar theft, the murder of her protected witness husband, Robert Costello, and her own near death from a bullet into her stomach. A torturing physical rehab regimen she at first abhors strengthens her resolve to turn her life around. She gains strength, physically and mentally, but pre-wound intimacy with business mogul Phillip Stanton and U.S ranger Ross Vincennes threaten to harm her promising recovery. Both men offer huge financial incentives if she renews their relationships. Stanton heads his own sizeable business and Vincennes hijacked the $3 million Costello stole from Stanton. Stantons thirst for both Marty and revenge against Costello result in Costellos death. He then sends a killer after Martys new love, her therapist, Julius Warshawsky.
The Art Lover's Guide to Barcelona
Unlock the secrets behind Barcelona’s artistic allure with this handy visual guidebook. Delve into the history of the Catalan capital’s most famous artists such as Pablo Picasso, Joan Miró, Salvador Dalí and Antoni Tàpies, and discover today’s exciting creators working across many styles from figurative to abstract art; sculpture to urban art. Whether you’re a Barcelona regular or visiting for the first time, this guide will help you understand how the city acquired its unique and thriving art scene, as well as recommend ways to experience it more fully with a self-guided public art walking tour, museum and gallery listings and tips and suggestions of tapas bars, churches, arty da...
School of Music, Theatre & Dance (University of Michigan) Publications
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.
Conservation Issues in Modern and Contemporary Murals
This volume represents a forum for conservators, conservation scientists, artists and heritage managers. It includes the voices of many of the different partners involved in the complex task of preserving artworks: • The vital experience of artists who create murals and are sometimes asked to treat their creations; • Theoretical reflections on how to deal methodologically with conservation; • Scientific studies on the identification of constituent materials and/or on the development of procedures for their preservation; • The opinion of cultural managers; • The specific experiences of conservators. All of the above must have a voice in the difficult task of preserving such a challe...
