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“Romantik. Journal for the Study of Romanticisms” is a multidisciplinary journal dedicated to the study of romantic-era cultural productions and concepts. The journal promotes innovative research across disciplinary borders. It aims to advance new historical discoveries, forward-looking theoretical insights and cutting-edge methodological approaches. The articles range over the full variety of cultural practices, including the written word, visual arts, history, philosophy, religion, and theatre during the romantic period (c. 1780–1840). But contributions to the discussion of pre- or post-romantic representations are also welcome. Since the romantic era was characterized by an emphasis on the vernacular, the title of journal has been chosen to reflect the Germanic root of the word. But the journal is interested in all European romanticisms – and not least the connections and disconnections between them – hence, the use of the plural in the subtitle. Romantik is a peer-reviewed journal supported by the Nordic Board for Periodicals in the Humanities and Social Sciences (NOP-HS).
This book takes readers back and forth through time and makes the past accessible to all families, students and the general reader and is an unprecedented collection of a list of events in chronological order and a wealth of informative knowledge about the rise and fall of empires, major scientific breakthroughs, groundbreaking inventions, and monumental moments about everything that has ever happened.
A one-of-a-kind illustrated guide to clouds, cloud formations, and the artists who painted them The mystery of clouds has captivated scientists and artists alike. This unique book shows you how to use the meteorological techniques of nephology to identify these elusive and transmutable shapes. It curates, classifies, and measures every species—including those recently discovered—considering the height, size, texture, arrangement, modifications, and movement of their many shifting forms. Clouds blends a lively and engaging narrative by one of today’s leading meteorologists with an essay on historic cloud art, and includes a wealth of breathtaking cloud studies by some of the greatest ar...
This volume contains eighteen articles dealing with the "reception" of Classical art and architecture in the Scandinavian countries, mainly Denmark, from the Renaissance onwards. This volume is the publication of an interdisciplinary seminar held at the University of Copenhagen 1988 with the participation of archaeologists and art historians.
Winner of the 2022 Nordic History Book Award Despite its failure as a political mobilizer, Scandinavism as a cultural movement would have a great impact on national consciousness-raising in Denmark, Norway, and Sweden by stressing common ethnolinguistic, mythological and historical roots. This cultural vision is traced in 'the Long 19th Century’, specifically in its interactions and overlaps with the various nationally specific manifestations of cultural nationalism. Through an in-depth analysis of an extensive corpus of cultural products – ranging from novels and poetry to public commemorations, painting and street name signs – this book demonstrates that cultural Scandinavism was successful in forging a common pan-Scandinavian identity that supplemented and strengthened national-identity formation in the three nationalities it aimed to unify. See inside the book.
Vols. 10-11 include Meteorology of England by James Glaisher as seperately paged section at end.