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Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in internati...
This book is the first comprehensive study of the setting up and early development of the NATO Committee on the Challenges of Modern Society (CCMS), or the alliance’s environmental programme. This expansion of allied cooperation is an interesting indicator of transatlantic relations during an era of transition and under the impact of Richard Nixon and Henry Kissinger’s diplomacy. The book discusses intra-NATO politics, the projects of the early years and the participation in CCMS projects of non-NATO countries – an unusual feature in the activity of a military alliance. Environmental cooperation in NATO was part of the changes which scientific cooperation was effecting in the international system during the entry into the post-industrial era. The making of the CCMS is the story of a crisis of adjustment to the new era, of hiccups in transatlantic relationships, but ultimately also a story of transatlantic unity. The book will be of much interest to students of NATO, the Cold War, international and environmental history, history of science and international relations.
This collection of essays weaves together the histories of European integration and the transatlantic alliance in the 1980s.
A wide-ranging, insightful history of culture in West Germany--from literature, film, and music to theater and the visual arts After World War II a mood of despair and impotence pervaded the arts in West Germany. The culture and institutions of the Third Reich were abruptly dismissed, yet there was no immediate return to the Weimar period's progressive ideals. In this moment of cultural stasis, how could West Germany's artists free themselves from their experiences of Nazism? Moving from 1945 to reunification, Michael H. Kater explores West German culture as it emerged from the darkness of the Third Reich. Examining periods of denial and complacency as well as attempts to reckon with the past, he shows how all postwar culture was touched by the vestiges of National Socialism. From the literature of Günter Grass to the happenings of Joseph Beuys and Karlheinz Stockhausen's innovations in electronic music, Kater shows how it was only through the reinvigoration of the cultural scene that West Germany could contend with its past--and eventually allow democracy to reemerge.
In fifteen case studies from around the world, contributors explore the relationship between music and socio-political protest in 1968.
The postwar period is no longer current affairs but is becoming the recent past. As such, it is increasingly attracting the attentions of historians. Whilst the Cold War has long been a mainstay of political science and contemporary history, recent research approaches postwar Europe in many different ways, all of which are represented in the thirty-five chapters of this book. As well as diplomatic, political, institutional, economic, and social history, The Oxford Handbook of Postwar European History contains chapters which approach the past through the lenses of gender, espionage, art and architecture, technology, agriculture, heritage, postcolonialism, memory, and generational change, and ...
"From anti-Reagan riots in West Berlin to pictures of revolutionary Nicaragua, it is often impossible to grasp social protest movements of the 1980s without referring to how they imagined "the Americas". This edited volume is aimed at historicizing the representations of the United States and of Latin America among Western European protesters around that decade. By researching dominant interpretation patterns, practices and symbols within these movements, this book offers a fresh and compelling look at protest in the second half of the 20th century."--Page 4 of cover.
This book examines the planned disaggregation of the global structures of the Cold War. In the final years of a decades-long era of bipolarity, the United States and the Soviet Union co managed a continental transformation that erased Europe’s Iron Curtain.
This expansive study offers an interpretation of the 'new Pentecost': the rise of charismatic Christianity, before, during, and after the 'long 1960s'. It examines the translocal actors, networks, and media which constructed a 'Spiritscape' of charismatic renewal in the Anglo-world contexts of Australia, the British Isles, Canada, New Zealand, South Africa, and the United States. It places this arena also in a wider and dynamic worldwide setting, exploring the ways in which charismatic imaginations of an 'age of the Spirit' were shaped by interpenetrations with the 'Third World', the Soviet Bloc, and beyond in the global Sixties and Seventies. Age of the Spirit explains charismatic developme...
Helmut Schmidt is the neglected chancellor of modern German history, overshadowed by 'the greats' - Bismarck, Adenauer, Brandt and Kohl. This volume retrieves Schmidt's true significance as a pivotal figure who helped reshape the global order during the crisis-ridden 1970s. This major reinterpretation, based on detailed research in Schmidt's private papers and numerous archives in Europe and America, reveals him as a leader equally skilled in economics and security, and adept at personal diplomacy, who dared to act as a 'double interpreter' between the superpowers during the nadir of the Cold War. Schmidt was no mere 'crisis-manager': in fact he brought to the chancellorship a depth of refle...