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Whether you are a business leader, internal business partner or external consultant, there are six key strategy missions that you will need to undertake as you deal with the re-positioning and growth issues that all businesses face at one stage or another during their life-cycle: assessing the environment defining a strategic positioning choosing a growth strategy expanding internationally combining strategy, and innovation or (re)designing the business model Meschi and Chereau bridge the gaps between academic theory and real world practice, between strategic analysis and strategic management, and between planning and doing, by providing you with six essential mission briefings to help you deliver the best possible outcome. Each briefing is structured the same way, beginning with an outline of the consulting mission and its content before examining the theoretical background, before setting out a complete and practical methodology to complete the mission along with all the tools you will need along the way.
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Julianne Pidduck's "Cine-File" does justice to this film, examining it as part of an influential recent cycle of French historical 'super-productions' including "Cyrano de Bergerac" and "Germinal" and exploring its social and political contexts, in particular how "La Reine Margot"'s depiction of Renaissance religious intolerance offers a haunting allegory for twentieth-century French and European experience."--Jacket.
Un guide pratique d'analyse et d'aide à la décision stratégique destiné aux dirigeants d'entreprises, consultants en stratégie et étudiants se destinant au conseil.
Patrice Chéreau (1944 - 2013) was one of France's leading directors in the theatre and on film and a major influence on Shakespearean performance. He is internationally known for memorable productions of both drama and opera. His life-long companionship with Shakespeare began in 1970 when his innovative Richard II made the young director famous overnight and caused his translator to denounce him publicly as an iconoclast, for a production mixing “music-hall, circus, and pankration”. After this break, Chéreau read Shakespeare's texts assiduously, “line by line and word by word”, with another renowned poet, Yves Bonnefoy. Drawing on new interviews with many of Chereau's collaborators, this study explores a unique theatre maker's interpretations of Shakespeare in relation to the European tradition and to his wider body of work on stage and film, to establish his profound influence on other producers of Shakespeare.
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