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Swiss-born, Paris-based architect Philippe Rahm (born 1967) has synthesized disciplines ranging from physics, physiology and meteorology to create urban and architectural works that radically advance the prospects and possibilities of sustainable architecture. Rahm has presented his ideas internationally, lecturing at Yale, Harvard, Cooper Union and UCLA, and representing Switzerland at the 8th Architecture Biennale in Venice. This book surveys Rahm's works of the past 12 years, including the Taichung Jade Eco Park in Taiwan. The book is designed to provoke a subtle gradation of sensations, by using different papers, by transitioning from very formal scientific presentation to warmer poetic and personal contributions, and through a variation in the illustrations from schematic drawings to evocative photographs.
The original vision on contemporary design and the encounter with other disciplines opens the architecture of Philippe Rahm to multiple possibilities. Constructed Atmospheres provides a selection of projects in which light, temperature, pressure, humidity, represent the 'brick' for a new discipline that can be defined by the term "meteorological design". Philippe Rahm's design is based on the principle that man faces reality from the inside and does not produce objects but atmospheres. The book provides a profile of the Swiss architect both as a theorist and as a designer, through the most recent works and a series of conversations conducted by Massimiliano Scuderi between 2011 and today. This book is in English only, it is a black and white edition of the bilingual book (English and Italian) "Philippe Rahm Architectes.Atmosfere Costruite _ Constructed Atmospheres" published by Postmedia Books (Milano 2014) isbn 9788874901241
This book is about climate and architecture. Written by the Swiss architect Philippe Rahm, it is at the same time a monograph on the architectural, urbanistic and landscape work of the office "Philippe Rahm architectes", a manifesto for a climatic architecture to face global warming, and a theoretical and practical treatise on the art of building atmospheres. Architecture and urbanism were traditionally based on climate and health, as we can read in treatises of Vitruvius, Palladio or Alberti, where exposure to wind and sun, variations in temperature and humidity influenced the forms of cities and buildings. These fundamental causes of urban planning and buildings were ignored in the second ...
Noo-politics is most broadly understood as a power exerted over the life of the mind, reconfiguring perception, memory and attention. This volume unites specialists in political and aesthetic philosophy, neuroscience, sociology and architecture, and presents their ideas for re-thinking the city in terms of neurobiology and Noo-politics. The book examines the relationship between information and communication, calling for a new logic of representation, and shows how architecture can merge with urban systems and processes to create new forms of network that empower the imagination and change our cultural landscape.
The scale of ecological crises made us realize that every kind of politics has always been cosmopolitics, politics of a cosmos. Cosmos embraces everything, including the multifarious natural and material entities that make humans act. The book examines cosmopolitics in its relation to design practice. Abandoning the modernist idea of nature as being external to the human experience - a nature that can be mastered by engineers and scientists from outside, the cosmpolitical thinking offers designers to embark in an active process of manipulating and reworking nature ’from within.’ To engage in cosmopolitics, this book argues, means to redesign, create, instigate, and compose every single f...
Seen through the distilling lens of the architectural model, Architecture’s Model Environments is a novel and far-reaching exploration of the many dialogues buildings have with their environmental surroundings. Expanding on histories of building technology, the book sheds new light on how physical models conventionally understood as engineering experimentation devices enable architectural design speculation. The book begins with a catalogue of ten original model prototypes – of wind tunnels, water tables and filling boxes – and is the first of its kind to establish an architectural approach to fabricating such environmental models. Subsequent chapters feature three precedent models tha...
We are conditioned over time to regard environmental forces such as dust, mud, gas, smoke, debris, weeds, and insects as inimical to architecture. Much of today's discussion about sustainable and green design revolves around efforts to clean or filter out these primitive elements. While mostly the direct result of human habitation, these 'subnatural forces' are nothing new. In fact, our ability to manage these forces has long defined the limits of civilized life. From its origins, architecture has been engaged in both fighting and embracing these so-called destructive forces. In Subnature, David Gissen, author of our critically acclaimed Big and Green, examines experimental work by today's l...
This volume was first published by Inter-Disciplinary Press in 2016. Story can have a power and presence that stretches beyond the vast, unspeakable boundaries of time and space; and yet story can also have a delicate impermanence that lasts no longer than a moment before it flashes back into the void. Some stories can bring people together; other stories can tear entire civilisations apart. Stories express and enliven experience; stories project and describe the desires and anxieties of existence. Stories can be narrated through written word and physical gesture, through graphic illustration and musical orchestration, through the spatial dynamics of architecture and the abstract poetics of conjecture. For these and myriad other reasons, storytelling and narrative are central to humanity, and the study of these practices is central to an understanding of what it means to be human. In this volume, the many narrative dimensions, media, and critical approaches to storytelling are explored with the common intention of comprehending and appreciating the global role that story plays in the articulation of human experience.
Critical Architecture examines the relationship between critical practice in architecture and architectural criticism. Placing architecture in an interdisciplinary context, the book explores architectural criticism with reference to modes of criticism in other disciplines - specifically art criticism - and considers how critical practice in architecture operates through a number of different modes: buildings, drawings and texts. With forty essays by an international cast of leading architectural academics, this accessible single source text on the topical subject of architectural criticism is ideal for undergraduate as well as post graduate study.