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In exploring the role of Catholic intellectuals in engaging science and technology in the twentieth century, this book initially provides a background context for this evolution by examining the Modernism crisis in the first chapter. In order to unpack the subsequent evolution, Thompson then concentrates in separate chapters on the distinctive contributions of four specific Catholic intellectuals, Jacques Maritain (1882-1973), Pierre Teilhard de Chardin (1881-1955), Bernard Lonergan (1904-1984), and Thomas Merton (1915-1968). All of these intellectuals experienced some degree of official restraint in their efforts but through their distinctive intellectual trajectories, they contributed to a different engagement of the Church with science and technology. In the final chapters, the book first reviews the changes within the institutional Church in the twentieth century toward science and technology. Finally, it then applies some key ideals of the four intellectuals to anneal and extend John Paul II's approach of "critical openness" to suggest how the Church can now engage science and technology.
Deep Blood is the story of Mississippi sheriff Colt Harper, whose moral compass is slightly askew - separated but not divorced from his wife, he sleeps with a New Orleans stripper who regularly violates the drug laws of Lowndes County, he drinks too much and habitually ignores the more mundane aspects of his sworn duty. Even when he must investigate the death of a young man - the son of a close friend - his mind wanders from the subsequent investigation. But when his alcoholic, amoral father Winston is arrested - yet again - for DUI, he learns an inexcusable truth about his father's past, a truth he wants to ignore but knows he must confront.
This book synthesizes the diverse reflections on technology by monk and spiritual writer Thomas Merton to develop a compelling contemplative critique of the threats and challenges of nuclear war, communication technologies, and biotechnologies that may alter what it means to be human. At the core of his critique, Merton opposes a technological mentality that favors processes of efficiency and utility at the expense of our ultimate purpose, a quest for the wisdom to guide us to the divine source of our being and reality. To counter this modern idolatry, Merton's insights offer a path of reflection, balance, and community. More specifically, Merton offers some constructive approaches and healing possibilities through a balanced approach to work, a careful and intentional managing of technology, and an accessing of the recuperative dimensions of nature. In its conclusion the book brings the insights of these chapters together for a final reflection on how to maintain our humanity and our spiritual integrity in a technological world.
The long-awaited return of Colt Harper, a lawman in the tradition of Jesse Stone and Walt Longmire. Sheriff Colt Harper believes he's colorblind in his enforcement of the law. But is he? When a black man is murdered, it ignites age-old anger in the African-American community over the injustices they've endured and forces Harper to confront his own personal demons. Harper's single-minded pursuit of justice for the dead man thrusts him between two volatile groups -- furious blacks who don't know if they can trust him and racist whites who want to use the controversy to spark a bloody race war. "Old Anger has some sweet echoes of the past while being something modern at the same time. Pacing is...
"J. Phillip Thompson III, an insider in the Dinkins administration, provides the first in-depth look at how the black mayors of America's major cities achieve social change. This unique work opens a window on the oft-shuttered inner dynamics of black politics. In his highly original treatment of the last thirty years in post-civil rights progressive social change, Thompson offers a powerful argument that the best way to broaden democracy in to practice it internally."--BOOK JACKET.
Phillip Thompson had kept a journal for years, from the time he was in college in the 1980s at the University of Mississippi until he attended the Artillery Officers' Advanced Course, when the demands of school interrupted. His desire to keep track of the events in his life was re-ignited with the Iraqi invasion of Kuwait, his impending deployment to the Persian Gulf in August 1990, and the beginning of Operation Desert Shield. While in the Persian Gulf, Thompson kept a small green, military-issue notebook with him at all times, writing down everything he could, drawing maps, explaining his emotions, and oftentimes, venting his anger. Upon his return from Saudi Arabia in 1991, he had filled three notebooks, which evolved into this work. Here are Thompson's personal experiences and his observations of those around him in Operations Desert Shield and Desert Storm.
Flora Thompson (1876 to 947) wrote what may be the quintessential distillation of English country life at the turn of the twentieth century. In 1945, the three books Lark Rise (1939), Over to Candleford (1941), and Candleford Green (1943) were published together in one elegant volume, and this new omnibus Nonpareil edition, complete with charming wood engravings, should be a cause for real rejoicing. The books have inspired two plays that ran in London, and the trilogy has been adapted into a multi-part, long-running television drama series by the BBC. The first series of ten episodes is scheduled to be syndicated on various PBS stations throughout the United States. A second series of twelve episodes, currently being broadcast in the United Kingdom, will follow in the United States shortly after.
This book chronicles Smith and Thompson Architects' complete body of work with 350 stunning illustrations and a thought provoking text by architectural historian Alastair Gordon. The branch of a sycamore grows through the opening of a wall in a Manhattan studio. A pool-house on Long Island becomes a sod-roofed tea house. An 18th Century farmhouse in Pennsylvania expands to echo the path of a meandering stream. Such are the measured designs of Phillip Smith and Douglas Thompson whose work stands out as an oasis of calm in an age of information overload. Their sources of inspiration vary widely from early European modernism to the stilted kampongs of Malaysia.
The last sixty years have witnessed a virtual explosion of interest in how modern science and traditional Christianity intersect. This new rapprochement with science has irrevocably altered how Christians think of God, providing a foundation from which we cannot retreat, but from which we also cannot move forward until we examine the presumptions on which it is based. For the first time, Richard J. Coleman interprets in a clear and meaningful way the themes and practitioners that make this rapprochement different, and what it has achieved. But this book is more than description - it is an inquiry into whether Christian theology has lost its authentic voice by its singular focus on accommodating modern science.