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This edition of On Poems by Philodemus (c. 110-35 BC) reconstitutes the original sequence of the 200 existing fragments, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.
Philodemus (ca 110-35 BCE) was an Epicurean poet and philosopher whose private library was buried in the remains of Herculaneum by the lava from Mt.Vesuvius. In 1752 around eight hundred fragmentary papyrus scrolls were uncovered, but only relatively recently have usable editions of these been made available. This discusses the contents of Philodemus' library, which contained Stoic texts as well as Epicurean, and then proceeds to a close textual analysis of some of his epigrams deciphered from the charred papyri, especially concerned with the light they shed on his life and his relationship with his patron Piso.
This is an edited collection by a distinguished team of scholars on the philosopher and poet Philodemus of Gadara (ca. 110-40 BC). The discovery of his library at Herculaneum, and the editing and gradual publication of the material, has reawakened interest in the philosophical and historical importance of his work. Philodemus presents us with a poetic theory of interest in itself, and several of his treatises provide us with instances of how poetry was seen as providing moral paradigms and guidance. These essays explore the many facets of Philodemus's work and the relationship between them, offering a critical survey of recent trends and developments in scholarship on Philodemus in particular and Hellenistic literary theory in general.
"On Death," by the Epicurean philosopher Philodemus of Gadara, is among the most significant philosophical treatments of the theme surviving from the Greco-Roman world. The author was an influential figure in first-century B.C.E. Roman society, associated with poets such as Virgil and politicians such as the father-in-law of Julius Caesar. The surviving copies of his treatises were carbonized following the eruption of Vesuvius in 79 C.E. This edition contains the Greek text, newly reconstituted with the help of the infrared imaging technology that has revolutionized the study of Philodemus s works in the twenty-first century, and completely translated into English for the first time. An extensive introduction provides background on Philodemus and his writings, accompanying notes enrich the text, and forty-four pages of photographs illustrate the papyrus manuscript from which the translation is drawn.
Philodemus was an important Epicurean philosopher active in southern Italy in the first century B.C.E. His treatise On Property Management, whose surviving part is completely translated here into English for the first time, focuses primarily on the vices or virtues involved in the acquisition and preservation of property and wealth. The extant remains of the work contain the most extensive and thorough treatment of property management found in any Hellenistic author. Philodemus criticizes rival writings by Xenophon and Theophrastus on the subject of oikonomia, or property management, and defends his own Epicurean views on the topic. More systematic and philosophical than rival approaches, the treatise clarifies many moral issues pertaining to the possession and preservation of property and wealth and provides plausible answers to a cluster of moral questions.
"The poetics of Philodemus of Gadara, who was a first century BCE Epicurean philosopher and poet, whose On Poems survives among the Herculaneum papyri. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create a hard-to-pin-down psychological effect in the audience. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, the author summarizes the views of Philodemus' opponents, the terminology of Hellenistic literary criticism, and the history of the Garden's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. The book concludes with an appendix of topics that Philodemus handles but which do not fit neatly into another chapter. His views on genre, mimesis, "appropriateness," utility, and various technical terms are discussed."--
The first English translation of On Anger This latest volume in the Writings from the Greco-Roman World series provides a translation of a newly edited Greek text of Philodemus’s On Anger, now supplemented with the help of multispectral imaging. As our sole evidence for the Epicurean view of what constitutes natural and praiseworthy anger as distinguished from unnatural pleasure in vengeance and cruelty for their own sake, this text is crucial to the study of ancient thought about the emotions. Its critique of contemporary Stoic and Peripatetic theories of anger offers crucial new information for the history of philosophy in the last two centuries BCE. The introduction and commentary also make use of newly revised texts and readings from several other ancient treatises on anger. Features An apparatus representing work on the text since the papyrus was opened in 1805 A full explication of the Epicurean theory of natural anger as an emotion without pleasure One of the Herculaneum papyri that survived the eruption of Vesuvius in 79 CE
First published in 2006. Routledge is an imprint of Taylor & Francis, an informa company.
This book offers a new critical text of the "philosophical" part of Philodemus' De pietate, together with an English translation and commentary. Introducing a new method for reconstructing the fragmented papyrus rolls recovered from Herculaneum, this is the first edition based on the papyri themselves, and the first edition to bring together fragments that, until now, were thought to be from different rolls.