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Joe Zucker
A comprehensive monograph of the work of Joe Zucker, one of the most innovative artists of the mid-twentieth century. This new monograph on the art of Joe Zucker is a career-spanning survey that deals with all the artist’s various bodies of work, from his grid paintings of the 1960s to his latest work, including the monumental 1000 Brushstrokes (2015– 2016). Zucker’s art is rooted in a conceptual framework where tools, materials, processes, procedures, content, and subject matter are all interrelated. Due to the frequent transformations in his art from one style to another, and thus his work has not been easily characterized or identified. Nevertheless, he has forged a powerful artisti...
Tell Me Something Good
Since 2000, The Brooklyn Rail has been a platform for artists, academics, critics, poets, and writers in New York and abroad. The monthly journal’s continued appeal is due in large part to its diverse contributors, many of whom bring contrasting and often unexpected opinions to conversations about art and aesthetics. No other publication devotes as much space to the artist’s voice, allowing ideas to unfold and idiosyncrasies to emerge through open discussion. Since its inception, cofounder and artistic director Phong Bui and the Rail’s contributors have interviewed over four hundred artists for The Brooklyn Rail. This volume brings together for the first time a selection of sixty of th...
Donald Judd Writings
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, publish...
The Best We Could Do
National bestseller 2017 National Book Critics Circle (NBCC) Finalist ABA Indies Introduce Winter / Spring 2017 Selection Barnes & Noble Discover Great New Writers Spring 2017 Selection ALA 2018 Notable Books Selection An intimate and poignant graphic novel portraying one family’s journey from war-torn Vietnam, from debut author Thi Bui. This beautifully illustrated and emotional story is an evocative memoir about the search for a better future and a longing for the past. Exploring the anguish of immigration and the lasting effects that displacement has on a child and her family, Bui documents the story of her family’s daring escape after the fall of South Vietnam in the 1970s, and the d...
Brand-new & Terrific
Coming of age as an artist in the 1950s, Alex Katz set out to reinvent representational painting in the wake of Abstract Expressionism. At first, Katz struggled to find an audience, destroying hundreds of canvases. This exhibition surveys the artwork that survived from this momentous decade, one in which he first painted outdoors, innovated with collages and met Ada del Moro, his wife and muse. The author's contextualise Katz's painting, consider how he and his peers looked at one another, mined 19th-century portraiture, and borrowed from television, advertising and cinema. The result is a fascinating study of a young artist laying the groundwork for an astonishingly successful career. Fans of Katz will be astonished by the radicalism of his early work, and those being introduced to the artist will be struck by its freshness and relevance. Published in association with the Colby Museum of Art, Waterville, ME. AUTHOR: Diana Tuite is the Katz Curator at the Colby Museum of Art, Waterville, ME. 150 colour illustrations
Robert Bergman: Selected Portraits
With just a handheld 35 mm camera and natural lighting, Robert Bergman explores his subjects with an evident determination to record a connection, even at the expense of surroundings, which Bergman tends to carefully forfeit as a compositional element. The series documented in this paperback edition of Selected Portraits charts the evolving character of Americans at the turn of the millennium.
Richard Serra
For the first time since 1990, the Kunsthaus Bregenz has exhibited approximately 60 drawings by Richard Serra in a comprehensive presentation of the sculptor's graphic oeuvre. This catalogue, published in conjunction with this historically important exhibition was produced in close cooperation with Richard Serra and presents six work series from nearly two decades of his artistic practice. It contains high-quality, large-format reproductions of all the drawings in this exhibition, in part as foldouts. As a special highlight the large-format Diptychs (1989) were juxtaposed against the artist's most recent work series Solids (2007/08). The work Forged Drawing, which was recently reworked especially for the Kunsthaus Bregenz, as well as the work series Weight and Measure, Rounds, and out-of-rounds all combine to convey the independent power and artistic significance of Richard Serra's graphic work. James Lawrence and Richard Shiff, two art historians and Serra specialists, contribute knowledgeable essays on Serra's graphic work, which is certainly on a par with his sculptures. English and German text.
Close Listening
Close Listening brings together seventeen strikingly original essays, especially written for this volume, on the poetry reading, the sound of poetry, and the visual performance of poetry. While the performance of poetry is as old as poetry itself, critical attention to modern and postmodern poetry performance has been surprisingly slight. This volume, featuring work by critics and poets such as Marjorie Perloff, Susan Stewart, Johanna Drucker, Dennis Tedlock, and Susan Howe, is the first comprehensive introduction to the ways in which twentieth-century poetry has been practiced as a performance art. From the performance styles of individual poets and types of poetry to the relation of sound ...
Philip Guston
Philip Guston?s late figurative paintings were met with overwhelmingly negative critical response when first shown at Marlborough Gallery in New York City in October 1970. After the opening, Guston fled to Italy with his wife, spending eight months at the American Academy in Rome. The following spring, Guston returned to a wounded America, still at war in Vietnam, devastated by the assassinations of its leaders, and divided by antiwar protests and the social and political upheavals begun in the 1960s. It was Richard Nixon?s first term as president.0Guston?s outpouring of satirical drawings was inspired partly by conversations with his friend Philip Roth, at work on his own scathing Nixon sat...
Come Together
This book documents an extraordinary exhibition in 2013 commemorating the first anniversary of a disaster of extraordinary proportions--the Atlantic storm named Sandy. This catalogue reproduces installation photographs of works of art that were in the exhibition in Brooklyn, New York, along with photographs of the various events that took place while it was on view.
