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Sur la photographie
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Knowing image
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Photography and Society in the Victorian Era - Based on Jens Jäger's Book 'Gesellschaft und Photographie - Formen und Funktionen Der Photographie in Deutschland und England 1839-1860'
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1,7, University of Potsdam, 16 entries in the bibliography, language: English, abstract: Introduction This essay mainly refers to the society in which photography arose. We shall look at the economic and social situation when photography appeared and how photography was perceived by the Victorians. Also some aspects of the problematic discussion if photography can become an art are considered in this essay. These aspects are concerning only the nineteenth century and what people thought in that time about this topic. The first chapter tells the history of photograph...
Imaging History
In archaeology, photography is mainly used as a technique for gathering data and evidence. Within the framework of the research project '(in)site, site-specific photography revisited' the relationship between photography and archaeology, or broader, history is explored. How do photographers visualize history? What is the importance of place, particularly the place that remains after the event took place? How do photographers or artists use photography to depict the past, when time has become 'past time'? These articles and portfolios explore, both on practical and theoretical level, how history can be captured. The research project is an attempt to redefine the traditional relationship between archaeology and photography in order to produce new forms of image-making more adapted to contemporary visual culture. The project considers photography as a practice in which a picture is shaped and constructed by the photographer, not a practice in which a picture is mechanically taken.
Graphis Photo
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The Making of Visual News
The Making of Visual News sets out to show how photography has changed the way we read, report and sell the news. It investigates how photographs first became news images at the end of the nineteenth century and how magazines in the USA, the UK, France and Germany have put them to use ever since. Drawing on a wide selection of images, author Thierry Gervais (in collaboration with Gaëlle Morel) analyses news photographs in the context of their original presentation in print. Highly illustrated, the book contains 85 full colour magazine layouts and spreads, offering the reader a view of how photographs were and are used in print publications, including Life, Picture Post, the Berliner Illustr...
Bulletin
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Contemporary Photography from North-Western Europe
Through more than seventy works by nineteen artists, the volume describes some of the most interesting research conducted in the field of photography in North- West Europe in recent decades. Using different languages, from the landscape to the portrait, from staged photography to the snapshot, by way of reportage and installations, the artists selected explore some of the most urgent topics that reality brings to our attention, and investigate issues linked to the history of the medium and the nature of contemporary images. The same richness also connotes the group of artists who are emerging on the international scene, and who are placed alongside some of the most famous names in photography.
