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Visual Anthropology
This book provides reliable research methods from the systematic gathering of data through analysis of photographic records to transfer of insights to ethnographic records, with an emphasis on developing the skills of thorough observation rather than on technical skill.
Photography, Anthropology and History
Photography, Anthropology and History examines the complex historical relationship between photography and anthropology, and in particular the strong emergence of the contemporary relevance of historical images. Thematically organized, and focusing on the visual practices developed within anthropology as a discipline, this book brings together a range of contemporary and methodologically innovative approaches to the historical image within anthropology. Importantly, it also demonstrates the ongoing relevance of both the historical image and the notion of the archive to recent anthropological thought. As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.
Photography, Anthropology and History
As current research rethinks the relationship between photography and anthropology, this volume will serve as a stimulus to this new phase of research as an essential text and methodological reference point in any course that addresses the relationship between anthropology and visuality.
Photography and Anthropology
Photography and anthropology share strikingly parallel histories. Christopher Pinney's provocative and eminently readable account provides a polemical narrative of anthropologists' use of photography from the 1840s to the present. Walter Benjamin suggested that photography 'make[s] the difference between technology and magic visible as a thoroughly historical variable, ' and Pinney here explores photography as a divinatory practice. Though viewed as modern and rational, this quality of photography in fact propelled anthropologists towards the 'primitive' lives of those they studied. Early anthropology celebrated photography as a physical record, whose authority and permanence promised an esc...
Raw Histories
Photographs have had an integral and complex role in many anthropological contexts, from fieldwork to museum exhibitions. This book explores how approaching anthropological photographs as 'history' can offer both theoretical and empirical insights into these roles. Photographs are thought to make problematic history because of their ambiguity and 'rawness'. In short, they have too many meanings. The author refutes this prejudice by exploring, through a series of case studies, precisely the potential of this raw quality to open up new perspectives. Taking the nature of photography as her starting point, the author argues that photographs are not merely pictures of things but are part of a dyn...
Anthropology and Photography, 1860-1920
Traces the use of photography in British anthropological expeditions, and discusses the photograph as document
Photography in Africa
Gives an ethnographic account of the complexities of the use of photography in Africa, both historically and in contemporary practice. This collection of studies in African photography examines, through a series of empirically rich historical and ethnographic cases, the variety of ways in which photographs are produced, circulated, and engaged across a range of social contexts. In so doing, it elucidates the distinctive characteristics of African photographic practices and cultures, vis-à-vis those of other forms of 'vernacular photography' worldwide. In addition, these studies develop areflexive turn, examining the history of academic engagement with these African photographic cultures, an...
The Fear of the Visual?
Photography had played a central role in the emergence of anthropology as a discipline in the late colonial period. Despite this, why is it that photography is not taken seriously in contemporary mainstream social anthropology and sociology in South asia and, to a great extent, in the rest of the worlds a possible way of conducting research or as an object of research? The fear of the visual? Explores this Question through a study of the histories of anthropology/ sociology and photography. The author studies past and present practices of photography including contemporary practices such as the 'selfish', and the framing of social/ familial events such as wedding photography and possibilitie...
