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This volume offers a collective critical engagement with the thought of Charles Travis, a leading contemporary philosopher of language and mind, and a scholar of the history of analytical philosophy. The work of Charles Travis is fundamentally situated in the analytical tradition, yet is also radically at odds with many assumptions characteristic of the tradition, especially as regards the nature of language and perception as representational capacities. Twelve philosophers explore themes in his work, and Travis gives extended responses. The editors provide an introductory chapter which situates Travis's ideas in the context of contemporary philosophy of language and mind. The volume divides into three sections, relating to language, thought, and perception. Topics covered in detail include: the nature of linguistic and perceptual representation; Frege; Wittgenstein; the role of context in fixing speech content; and the structure of thought.
Charles Travis presents a series of essays on philosophy of perception, inspired by the insights of Gottlob Frege. He engages with a range of contemporary thinkers, and explores key issues including how perception can make the world bear on what we do or think, and what sorts of capacities we draw on in representing something as (being) something.
In this testament to the distinguished career of H.S. Houthakker a number of Professor Houthakker's friends, former colleagues and former students offer essays which build upon and extend his many contributions to economics in aggregation, consumption, growth and trade. Among the many distinguished contributors are Paul Samuelson, Werner Hildenbrand, John Muellbauer and Lester Telser. The book also includes four previously unpublished papers and notes by its distinguished dedicatee.
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Long considered the essential guide to Joyce's famously difficult work, Roland McHugh's Annotations to "Finnegans Wake" provides both novice readers and seasoned Joyceans with a wealth of information in an easy-to-use format uniquely suited to this densely layered text. Each page of the Annotations corresponds directly with a page of the standard Viking/Penguin edition of Finnegans Wake and contains line-by-line notes following the placement of the passages to which they refer. The reader can thus look directly from text to notes and back again, with no need to consult separate glossaries or other listings. McHugh's richly detailed notes distill decades of scholarship, explicating foreign words, unusual English connotations and colloquial expressions, place names, historical events, song titles and quotations, parodies of other texts, and Joyce's diverse literary and popular sources. The third edition has added material reflecting fifteen years of research, including significant new insights from Joyce's compositional notebooks (the "Buffalo Notebooks"), now being edited for the first time.
Susan Conley, her husband, and their two young sons say good-bye to their friends, family, and house in Maine for a two-year stint in a high-rise apartment in Beijing, prepared to embrace the inevitable onslaught of new experiences that such a move entails. But Susan can’t predict just how much their lives will change. While her husband is consumed with his job, Susan works on finishing her novel and confronting the challenges of day-to-day life in an utterly foreign country: determining the proper way to buy apples at a Chinese megamarket; bribing her little boys to ride the school bus; fielding invitations to mysterious “sweater parties” and tracking down the faux-purse empire of the...
The ways in which human action and rationality are guided by norms are well documented in philosophy and neighboring disciplines. But how do norms shape the way we experience the world perceptually? The present volume explores this question and investigates the specific normativity inherent to perception.
Long considered the essential guide to Joyce's famously difficult work, Roland McHugh's Annotations to "Finnegans Wake" provides both novice readers and seasoned Joyceans with a wealth of information in an easy-to-use format uniquely suited to this densely layered text. Each page of the Annotations corresponds directly with a page of the standard Viking/Penguin edition of Finnegans Wake and contains line-by-line notes following the placement of the passages to which they refer. The reader can thus look directly from text to notes and back again, with no need to consult separate glossaries or other listings. McHugh's richly detailed notes distill decades of scholarship, explicating foreign words, unusual English connotations and colloquial expressions, place names, historical events, song titles and quotations, parodies of other texts, and Joyce's diverse literary and popular sources. The third edition has added material reflecting fifteen years of research, including significant new insights from Joyce's compositional notebooks (the "Buffalo Notebooks"), now being edited for the first time.
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