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The Pickwick Papers
The Posthumous Papers of the Pickwick Club (also known as The Pickwick Papers) was Charles Dickens's first novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide.With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise.After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book."
The Pickwick Papers
Charles Dickens's satirical masterpiece, "The Pickwick Papers," catapulted the young writer into literary fame when it was first serialized in 1836-37. It recounts the rollicking adventures of the members of the Pickwick Club as they travel about England getting into all sorts of mischief. Laugh-out-loud funny and endlessly entertaining, the book also reveals Dickens's burgeoning interest in the parliamentary system, lawyers, the Poor Laws, and the ills of debtors' prisons. As G. K. Chesterton noted, "Before ÝDickens ̈ wrote a single real story, he had a kind of vision . . . a map full of fantastic towns, thundering coaches, clamorous market-places, uproarious inns, strange and swaggering figures. That vision was Pickwick."
The Pickwick Papers (Annotated)
The Pickwick Papers was Dickens' first published novel and the first ever publishing phenomenon with illegal copies, theatrical performances and merchandise. It follows the travels of Mr Pickwick and the Pickwick...
Bible Blindspots
Several of the ways and cultures that the Bible privileges or denounces slip by unnoticed. When those—the privileged and the denounced—are not examined, they fade into and hide in the blind spots of the Bible. This collection of essays engages some of the subjects who face dispersion (physical displacement that sparks ideological bias) and othering (ideologies that manifest in social distancing and political displacement). These include, among others, the builders of Babel, Samaritans, Melchizedek, Jezebel, Judith, Gomer, Ruth, slaves, and mothers. In addition to considering the drive to privilege or denounce, the contributors also attend to subjects ignored because the Bible’s blind s...
John Eliot's Puritan Ministry to New England "Indians"
John Eliot (1604–90) has been called “the apostle to the Indians.” This book looks at Eliot not from the perspective of modern Protestant “mission” studies (the approach mainly adopted by previous research) but in the historical and theological context of seventeenth-century puritanism. Drawing on recent research on migration to New England, the book argues that Eliot, like many other migrants, went to New England primarily in search of a safe haven to practice pure reformed Christianity, not to convert Indians. Eliot’s Indian ministry started from a fundamental concern for the conversion of the unconverted, which he derived from his experience of the puritan movement in England....
The Pickwick Papers
he Pickwick Papers is a sequence of loosely related adventures. The action is given as occurring 1827-8, though critics have noted some seeming anachronisms. It has been stated that Dickens satirized the case of George Norton suing Lord Melbourne in The Pickwick Papers. The novel's main character, Samuel Pickwick, Esquire, is a kind and wealthy old gentleman, the founder and perpetual president of the Pickwick Club. To extend his researches into the quaint and curious phenomena of life, he suggests that he and three other "Pickwickians" (Mr Nathaniel Winkle, Mr Augustus Snodgrass, and Mr Tracy Tupman) should make journeys to places remote from London and report on their findings to the other members of the club. Their travels throughout the English countryside by coach provide the chief theme of the novel. A distinctive and valuable feature of the work is the generally accurate description of the old coaching inns of England. (One of the main families running the Bristol to Bath coaches at the time was started by Eleazer Pickwick
The Pickwick Papers Charles Dickens
The Posthumous Papers of the Pickwick Club (also known as The Pickwick Papers) was Charles Dickens's first and personal favourite novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide.With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise.After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book."
The Pickwick Papers
The Posthumous Papers of the Pickwick Club (also known as The Pickwick Papers) was Charles Dickens's first novel. He was asked to contribute to the project as an up-and-coming writer following the success of Sketches by Boz, published in 1836 (most of Dickens' novels were issued in shilling instalments before being published as complete volumes). Dickens (still writing under the pseudonym of Boz) increasingly took over the unsuccessful monthly publication after the original illustrator Robert Seymour had committed suicide. With the introduction of Sam Weller in chapter 10, the book became the first real publishing phenomenon, with bootleg copies, theatrical performances, Sam Weller joke books, and other merchandise. After the publication, the widow of Robert Seymour claimed that the idea for the novel was originally her husband's; however, in his preface to the 1867 edition, Dickens strenuously denied any specific input, writing that "Mr Seymour never originated or suggested an incident, a phrase, or a word, to be found in the book."
Mending the World?
Religion has played a major role in history, affecting the course of events and influencing individuals. Today one frequently hears the expression "the return of religion" but opinions differ as to how this "return" is to be understood. It is clear that modernity and postmodernity have not meant that religion is dead or relegated to society's backyards. Religion is still of vital importance for many people. It has, to some extent, changed shape but has not lost its legitimacy and attractiveness to broad groups. Religion is public, visible, and has a sought-for voice; but it is also wrestling with extremism, ignorance, and preconceptions. Just like ideologies, religions are capable of activating diametrically opposite traits in humans. It is this dual tension that is implicit in the question mark in this book's title: Mending the World? This book's aim is to help explore whether, how, and in what ways religion, church, and theology can contribute constructively to the future of a global society. In thirty-one chapters, researchers from around the world address the relation between religion and society.
Raised from Obscurity
Luke-Acts contains many and diverse female characters, many of whom play significant roles in the unfolding drama of God's plan of salvation through Jesus and the early church. Women followers of Jesus are fully-fledged disciples who prove to be reliable and insightful, participating in God's mission at all levels. They act as interpreters of salvation history, God's prophetic mouthpieces, witnesses to the resurrection, proclaimers and teachers of the gospel, and patrons and leaders of the early church. At the heart of this narratival exposure lies a particular theology of women. This narratival presentation and theology is rich and quite remarkable given the socio-religious climate in which Luke wrote. An appreciation of this 'narratival theology' is important, not only for a well-rounded understanding of Luke-Acts, but as a vital part of the variegated witness of the New Testament regarding the role of women in God's new community.
