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A political insiders perspective on the inaugural Congresses from one of South Carolinas signers of the Constitution
In 1861, James B. Griffin left Edgefield, South Carolina and rode off to Virginia to take up duty with the Confederate Army in a style that befitted a Southern gentleman: on a fine-blooded horse, with two slaves to wait on him, two trunks, and his favorite hunting dog. He was thirty-five years old, a wealthy planter, and the owner of sixty-one slaves when he joined Wade Hampton's elite Legion as a major of cavalry. He left behind seven children, the eldest only twelve, and a wife who was eight and a half months pregnant. As a field officer in a prestigious unit, the opportunities for fame and glory seemed limitless. Griffin, however, performed no daring acts, nor did he inspire great loyalty...
This is not your grandfather’s history of Texas. Portraying nineteenth-century Texas as a cauldron of racist violence, Gary Clayton Anderson shows that the ethnic warfare dominating the Texas frontier can best be described as ethnic cleansing. The Conquest of Texas is the story of the struggle between Anglos and Indians for land. Anderson tells how Scotch-Irish settlers clashed with farming tribes and then challenged the Comanches and Kiowas for their hunting grounds. Next, the decade-long conflict with Mexico merged with war against Indians. For fifty years Texas remained in a virtual state of war. Piercing the very heart of Lone Star mythology, Anderson tells how the Texas government encouraged the Texas Rangers to annihilate Indian villages, including women and children. This policy of terror succeeded: by the 1870s, Indians had been driven from central and western Texas. By confronting head-on the romanticized version of Texas history that made heroes out of Houston, Lamar, and Baylor, Anderson helps us understand that the history of the Lone Star state is darker and more complex than the mythmakers allowed.
This pictorial classic is a valuable ethnological record of southeastern Indians that also showcases the work of early photographers and artists. A collection of over 350 photographs, paintings, drawings,and woodcuts, Life Portraits offers us an important visual representation of southeastern Indians—at work, at play, in rituals, and in death—when they first encountered Europeans. Studied by historians and archaeologists, as well as museum exhibit designers and costumers, these illustrations provide a wealth of information on native dress and jewelry, house construction, agricultural techniques, warfare, and other aspects of American Indian life. Among the tribes illustrated are Natchez,...
Artist-explorer John Mix Stanley (1814–1872), one of the most celebrated chroniclers of the American West in his time, was in a sense a victim of his own success. So highly regarded was his work that more than two hundred of his paintings were held at the Smithsonian Institution—where in 1865 a fire destroyed all but seven of them. This volume, featuring a comprehensive collection of Stanley’s extant art, reproduced in full color, offers an opportunity—and ample reason—to rediscover the remarkable accomplishments of this outsize figure of nineteenth-century American culture. Originally from New York State, Stanley journeyed west in 1842 to paint Indian life. During the U.S.-Mexican...