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The authoritative treatment of the doctrine of baptism within the broad context of the theology of justification and grace. Marcel's vindication of the doctrine of infant baptism is considered the more impressive as it relies upon the evidence of Scripture rather that the archeological of patristic evidence of the Early Church.
With an introduction by Robert Motherwell and an appreciation by Jasper Johns "Marcel Duchamp, one of this century's pioneer artists, moved his work through the retinal boundaries which had been established with Impressionism into a field where language, thought and vision act upon one another. There it changed form through a complex interplay of new mental and physical materials, heralding many of the technical, mental and visual details to be found in more recent art. . . "In the 1920s Duchamp gave up, quit painting. He allowed, perhaps encouraged, the attendant mythology. One thought of his decision, his willing this stopping. Yet on one occasion, he said it was not like that. He spoke of...
Originally available only in typewritten manuscript, Pierre Marcel's two-volume analysis of the philosophy of Herman Dooyeweerd has now been made available to the reading public in a magnificent English translation by Colin Wright. The first volume provides a detailed analysis of Dooyeweerd's critique of theoretical thought. Dooyeweerd analyzed the very basis of thought itself, its presuppositions; and then also the consequences of those presuppositions. The entire range of historical philosophy is taken into account, as are all the schools that manifested themselves up until the time of his writing. The second volume provides an analysis of Dooyeweerd's positive philosophy based on explicit presuppositions, those of Christianity. Dooyeweerd analyzes reality in the light of the framework of laws of thought embedded in the mind and in extant reality. The result is an audacious synthesis that provides a foundation for justified reason. Marcel constructively criticizes both these areas of Dooyeweerd's achievement in the two volumes now presented. They will occupy the top shelf of the works dedicated to the analysis and continuation of the great Dutchman's philosophical magnum opus.
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This book is the first intellectual biography of Marcel Mauss (1872-1950), the father of modern ethnology and a leading early figure in the French school of sociology. Mauss left a rich intellectual legacy in the social sciences, influencing the work of Claude Lévi-Strauss and others. His masterpiece, the 1925 essay The Gift, on reciprocity and gift economies among archaic societies, remains required reading in anthropology, and his work more broadly resonates today with students and scholars in fields from the history of religion to sociology. Mauss taught the first generation of French field researchers in anthropology and helped secure the legacy of his uncle, émile Durkheim, the founde...
Includes entries for maps and atlases.
The acclaimed French classicist Marcel Detienne's first book traces the odyssey of "truth," aletheia, from mytho-religious concept to philosophical thought in archaic Greece. Detienne begins by examining how truth in Greek literature first emerges as an enigma. He then looks at the movement from a religious to a secular thinking about truth in the speech of the sophists and orators. His study culminates with an original interpretation of Parmenides' poem on Being.
Though long ignored or dismissed by film critics and scholars, Marcel Pagnol (1895-1974) was among the most influential auteurs of his era. This comprehensive overview of Pagnol’s career, the first ever published in English, highlights his unique place in French cinema as a self-sufficient writer-producer-director and his contribution to the long-term evolution of filmmaking in a broader European context. In addition to reassessing the converted playwright’s controversial prioritisation of speech over image, the book juxtaposes Pagnol’s sunny rural melodramas with the dark, urban variety of poetic realism practised by influential peers such as Jean Renoir and Marcel Carné. In his penchant for outdoor location shooting and ethnographic authenticity, as well as his stubborn attachment to independent, artisanal production values, Pagnol served as a precursor to the French New Wave and Italian Neo-Realism, inspiring the likes of Jean-Luc Godard, François Truffaut, Vittorio De Sica, and Roberto Rossellini.
For the Greeks, the sharing of cooked meats was the fundamental communal act, so that to become vegetarian was a way of refusing society. It follows that the roasting or cooking of meat was a political act, as the division of portions asserted a social order. And the only proper manner of preparing meat for consumption, according to the Greeks, was blood sacrifice. The fundamental myth is that of Prometheus, who introduced sacrifice and, in the process, both joined us to and separated us from the gods—and ambiguous relation that recurs in marriage and in the growing of grain. Thus we can understand why the ascetic man refuses both women and meat, and why Greek women celebrated the festival...