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Global Perspectives for the Conservation and Management of Open-Air Rock Art Sites responds to the growth in known rock art sites across the globe and addresses the need to investigate natural and human-originated threats to them as well as propose solutions to mitigate resulting deterioration. Bringing together perspectives of international research teams from across five continents, the chapters in this book are divided into four discrete parts that best reflect the worldwide scenarios where conservation and management of open-air rock art sites unfolds: 1) ethics, community and collaborative approaches; 2) methodological tools to support assessment and monitoring; 3) scientific examinatio...
Western Iberia has one of the richest inventories of Neolithic chambered tombs in Atlantic Europe, with particular concentrations in Galicia, northern Portugal and the Alentejo. Less well known is the major concentration of tombs along the Tagus valley, straddling the Portuguese-Spanish frontier. Within this cluster is the Anta da Lajinha, a small megalithic tomb in the hill-country north of the River Tagus. Badly damaged by forest fire and stone removal, it was the subject of joint British-Portuguese excavations in 2006-2008, accompanied by environmental investigations and OSL dating. This volume takes the recent excavations at Lajinha and the adjacent site of Cabeço dos Pendentes as the s...
The Prehistoric Rock Art of Portugal presents significant interpretive perspectives in Portuguese rock art research and offers an excellent representation of core rock art areas, along with current thinking and interpretations. The various chapters deliver a personal approach to the many issues, themes and approaches that are embedded within the rock art of the outpost of western Atlantic Europe. Ethnographical perspectives have often dominated the study of rock art but unlike other well-studied regions, the western Iberian Peninsula is absent of an ethnographical or ethno-historical past and therefore the production of rock art can only be archaeologically assessed. Thus, the work promotes ...
This volume brings together perspectives from scholars of different scientific backgrounds endeavouring to understand and debate the interactions and relationships between humans, nonhuman species and natural ecosystems in order to overcome the classic human/environment dichotomy. Through discussions informed by the humanities, arts, social and natural sciences, the book deals with the way different disciplines approach this relationship. These diverse perspectives are compared to enable a cross-cutting analysis of human/nature interface throughout history. Changes forced by the utilization of resources and habitats, as well as climate changes are analysed and discussed, enhancing the importance of a multifaceted approach for a better understanding of the complexity of both the human/world relationship and diverse interspecies connections and impacts.
Tumuli and megaliths mark the landscape of Eurasia and are rich in data, mystery, and legends. Books about them are often monographic or have a local range. This collection of essays highlights and brings together 74 authors from 16 countries, from Portugal to Japan and Indonesia. They offer a diversity of regional backgrounds, theoretical perspectives, and scientific approaches relevant to anyone working in history, archaeology, anthropology, and heritage. Densely illustrated and written in a way that is understandable to anyone, it is easily accessible to students, professors, researchers, and cultural or heritage managers. It will also attract anyone interested in past cultures, early religions, and ancient architecture. Its content makes it a mandatory book for the central and specialized libraries of any university, I&D centre, museum or visiting centre about this and other related issues.
Prof. Daniel Arsenault, a leading exponent of Canadian Shield rock art, sadly passed away in 2016. This book contains 14 thought-provoking chapters dealing with Daniel’s first love—the archaeology of artistic endeavour. It provides the reader with new ideas about the interpretation and dating of rock art, ethnography, heritage and material culture.
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How is it possible to identify the circulation of materials or of finished objects in Neolithic Europe, as well as the social networks involved? Several approaches exist for the researcher, and the present volume provides some examples.
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